Black Grandma – by Emma-Lee Maher

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Strips of coloured paper, gel pens, and scallop-bladed scissors are within arm’s reach. I’m proud of the tree I’ve drawn on the A3 card. I trace each branch with a fingertip sticky with glitter glue. In my envelope, a bunch of photos wait to join my family tree. I feel a bit weird about sticking my dad’s photo down. I haven’t seen him much lately. 

I fill the Father space anyway. His photo is next to Mum’s. I only have one photo of them together, taken in Dad’s shed: she’s holding me as a newborn and he’s working on a car engine.  

Nan says we’re related to Alexander the Great somehow, and maybe I’m related to Albert Namatjira because I’m such a good artist, but I don’t have their photos to add. Nan tells stories about my great-great-grandparents travelling to Australia from England in the 1920s. They stopped in Freo port on their way to Sydney and bought the biggest, sweetest grapes from the markets – extra to share. Other passengers did the same, so they feasted on grapes for days.  

Mum’s dad grew up in an orphanage, so that branch doesn’t grow big. I can go much further on Dad’s side – the Queensland government kept good records on them.  

I stick down a photo of my grandad, Dad’s dad. Sydney. He’s in a suit and smiling wide at the camera with a longneck of Swan Draught. Mum always says he was excited to meet me. She liked Sid. I close my eyes, his face melts into the dancing patterns behind my eyelids. He’s beaming at me.  

I don’t think my dad saw his dad much either. 

I have a photo of Black Grandma. She’s holding me and I can see where my grandad got his big smile from. Maybe that’s where mine comes from too. I split my face in half, baring my teeth as wide as I can until my cheeks ache. In her arms, I look small and pale – only a few weeks old. She was here for his funeral. I wonder if it felt strange, cradling me and not him.  

There’s a queue for the metallic sharpies. I draw a big ornate frame around her picture in gold pen, like the ones in the Art Gallery.  

Ms Williams says I can’t write Black Grandma under her photo. 

And I’m confused – like, why not? 

She’s my Black Grandma. ▼

Image: Kris Møklebust - Pexels


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Emma-Lee Maher

Emma-Lee Maher is an artist and writer whose work digs into memory, family, and place. Her work has been exhibited at the Perth Institute of Contemporary Art, and her writing has appeared in Portside Review and Splinter Journal. 

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