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Emerald City – by Henry Chase Richards
I never thought I’d move back here. In my mind, the people were too stuck up and the public transport too bad and I had too many other more important places to be.
Black Grandma – by Emma-Lee Maher
In my envelope, a bunch of photos wait to join my family tree. I feel a bit weird about sticking my dad’s photo down. I haven’t seen him much lately.
The moss garden method – by Gina Ward
Her marriage was joyless. She hadn’t spoken to her sister in decades. She’d lost touch with the friends from her factory days.
Between snow and slogans - by Ramak Bamzar
The Iran–Iraq War had just ended and everywhere the walls were covered with murals of martyrs and blood: Khomeini with a raised hand pointing to a bright point in the sky; a woman holding a blood-soaked martyr in her arms and crying; red tulips sprouting here and there from stains of blood on the ground.
Heartbreakful – by Siobhan Kavanagh
I should have paid more attention in science. This small, overheated room in the children’s hospital is full of words like exons and introns, full of our quiet desperation for an answer.
The aesthetics of endless seeking – by Deniz Yildiz
This year, I went alone. Not in solitude, but to open myself to the encounter. A small experiment in exposure. The experience isn't exactly a party. It’s more like a navigational riddle, a sensory wormhole pulling the body down spiral stairwells and through veils of light.
Habitat – by Rosalee Kiely
I sit and watch the goings on at the kitchen bench. A person cuts bread for a sandwich and leaves the crumbs of wheat on the wooden board, leaves a cut orange. One day later, give or take, the orange is desiccated.
Menura novaehollandiae – by Frankey Chung-Kok-Lun
From the comfort of my balcony
I hear the tunes of magpies and wonder
if it matters if they are lyrebirds instead.
A new literature of exhaustion: David Szalay’s ‘Flesh’ – by Adam Ouston
The prose is lean with only slightly more meat on the bone than a fable or fairytale. Many paragraphs comprise barely a single line. Statements are direct. Description, minimal. It’s a greyscale world exhausted of its vitality.
Cute poem – by Toby Fitch
I know something that I wouldn’t mind seeing extinct, I told Evie and Tilda, who were cuddling up to me in bed, Pusheens! – those blimpy, expensive soft toy cats plonked haughtily in toy shops (basically high-end retail therapy for children)…
Life Span – by Fiona Reilly
Every night, broad wings of black, brown and silver fluttered against my windows, drawn by the kitchen lights. Hundreds of moths scattered across the glass, forming a dark floral pattern against the inky backdrop of the night sky.
Outer Banks – by Kathleen Williams
Six houses collapsed into the ocean on the Outer Banks, a series of islands off North Carolina, between May and November 2024. In this area of the world, strips of houses that were once on solid ground find themselves on sand due to coastal erosion. I discover these houses through TikTok. Their immense, shuddering structures collapsing into the ocean are captivating, seductive. I wonder if it’s somehow appealing on a class level, if we’re all hiding smirks while watching the upstairs gentry implode from the downstairs quarters.
Extinctions – by Dani Netherclift
The threat AI poses to writers and the art of writing seems to have arisen swiftly. Who threw open those doors? What is an entry? A door is an aperture to possibility. These are important concerns for a lyric essayist. There are so many ways in (and out), so many connecting silences in between. What does it mean for your calling to become extinct?
Cold coffee – by Aboubakr Daqiq
I haven’t always liked coffee. Loved the smell, just not the taste. In recent years, however, I’ve found myself more than impartial towards an occasional morning coffee – especially when paired with a delicious pastry. My poison of choice is the mocha. Often perjured by claims of inauthenticity and childlike nodes, the mocha has long been a victim of slander and ridicule. Putting aside the politics of coffee elitism, I’ve found that brewing a good mocha is no easy feat.
The more you are going home – by Stephen Orr
Sleeping under the piano, close to the rosewood, night sounds amplified by eighty-eight strings. So quiet I can’t really tell, but they’re just outside the window. The scraping of a leaf on a concrete path, until the breeze stops. The movement of a lizard in litter; the way wind works on canopies. Each singing, vibrating, resonating, and when I step outside, the once-a-minute bark of a dog filling the void, this sound moving across the land, through yards, down to the river. All suggesting something else is going on.
Inaugural visit: snapshots – by Lesh Karan
Fifty years and four generations to arrive.
The smell of coffee mingled with diesel
disorients. A train rumbles in the distance.
The morning is 11 degrees and a chorus
of barks. Countless strays wander these streets.
a natural sort of being – by Miriam Jones
At home we were a newborn, a toddler, a man, and a non-binary me. For three months we lived outside of normal time and normal social life. The privatised home is not known for nurturing gender improvisation. Some things known to take place within the home are the unwaged feminised labour of social reproduction, and domestic violence. But for me the parental leave bubble was a quiet place, away from the sharp and assured gender infrastructure of the outside world.
Beasting – by Heather Taylor-Johnson
Frida Kahlo was broken and bedridden when she began painting. A trolley-car had crashed into her bus and she was speared by an iron handrail, puncturing her abdomen and uterus. Her spinal column was wrecked, her collarbone, ribs and pelvis a disaster, and she had eleven fractures in one leg, already shrunken from childhood polio. Frida’s mother had given her plaster-casted, immobile daughter a lap easel and hung a mirror from the bed’s canopy so that the eighteen-year-old might paint her own face to pass the many painful hours. Mí amor pequeña, Frida’s mother might have thought while looking down on her daughter, bandaged and bondaged, unaware of the fierce and revolutionary paintings that lay ahead: My little love.
‘Called to beauty’ – an interview with Elizabeth Gilbert
Elizabeth Gilbert is the author of ten books, including Big Magic: Creative living beyond fear (and of course, Eat Pray Love). Island spoke with Liz about the place of creativity in an increasingly complicated world, why it’s worth spending time reading, and what we might learn from moss.
Grass, willow, skin – by Ben Walter
The wind is blowing off the dead of the river and every gust is hollowing out my body. Even though it's summer and the evenings are spending all the light they've been saving up through the year, it's freezing cold – I am eleven years old and there is nothing to me, my arms and legs are an arrangement of twigs, and the creeping ice is threatening to snap my body into pieces. The sense of arctic nakedness, of shivering in the outfield of a skewed oval, is all pervasive…
Archive-
Arts Features
- 12 June 2024 We Were Here – by Sarah Firth
- 2 Apr 2024 The perfect human – by Niki Bañados
- 11 Dec 2023 The Last Ever Comic to be Published in a Literary Magazine…Ever!!
- 2 June 2021 Fury - by Andrew Harper, on Lucienne Rickard’s ‘Extinction Studies’
- 2 June 2021 Julie Gough: Tense Past
- 1 June 2021 Tiefenzeit - by Tricky Walsh
- 1 June 2021 Islands and Ships - by Joshua Santospirito
- 1 June 2021 The Intimacy of Daily Life: The News is the Weather - by Rosie Flanagan and Miriam McGarry
- 1 June 2021 Fragments of Place - by Andrew Harper
- 1 June 2021 Beware of Imposters (the secret life of flowers) - by Selena de Carvalho
- 31 May 2021 Welcome Territory - Selena de Carvalho responds to Tanya Lee’s ‘Landing’
- 27 May 2021 Sisters Akousmatica: Herstory of Radio
- 25 May 2021 Double Yolker - by Mish Meijers
- 23 May 2021 Stepping Back from The Edge: Re-imagining Queenstown - by Cameron Hindrum
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Fiction
- 21 May 2026 The hold down – by Jenni Mazaraki
- 3 Mar 2026 That was where we’ll meet – by Kyla St Jaye
- 17 Dec 2025 Jack and the Argonauts – by Grace Heathcote
- 5 Dec 2025 Irukandji Death Syndrome – by Tabitha Laffernis
- 4 Nov 2025 Hellsite – by Jane O’Sullivan
- 4 Nov 2025 La Moustache – by Howard McKenzie-Murray
- 23 Sept 2025 333532 – by Ouyang Yu
- 28 Aug 2025 The humming – by Meisha Simpson
- 6 Aug 2025 The colour of perception – by Tony Barrett
- 6 Aug 2025 Fish inside a birdcage – by Samuel O'Neil Hamad
- 6 Aug 2025 The sobber – by Oliver Johns
- 6 Aug 2025 Gravity – by Morgan Kelly
- 6 Aug 2025 Once inside – by Maddie Goss
- 6 Aug 2025 Parasites make red pearls – by Lucy Haughton
- 6 Aug 2025 Flotsam on the drift – by Lonnie Dalton
- 17 July 2025 Why Benjamin Stork broke the ribbit glass – by Angus Macdonald
- 14 July 2025 Ishbel – by Claire Aman
- 7 July 2025 New purpose – by Alex Bennetts
- 25 June 2025 Improving the area – by Keith Goh Johnson
- 15 May 2025 Good for nothing – by Winnie Dunn
- 5 Mar 2025 Myer is Our Store – by Gillian Hagenus
- 10 Jan 2025 Generation optimisation – by EL Weber
- 4 Dec 2024 Afterbirth – by Payton Hogan
- 6 Nov 2024 The miracle – by Nadia Mahjouri
- 8 Oct 2024 Chrysalis – by Lachlan Plain
- 11 Sept 2024 The mystery of the lost hours – by Sue Brennan
- 4 Sept 2024 Masters – by Andrei Seleznev
- 7 Aug 2024 Paan – by Josefina Huq
- 18 July 2024 A major theft – by Emma Rosetta
- 17 July 2024 Devotion – by RT Wenzel
- 10 July 2024 He is the candle – by Lucy Norton
- 10 July 2024 These are no clear directions – by Lars Rogers
- 3 July 2024 Bound – by Liz Evans
- 26 June 2024 Prelude to a flight – by Joel Keith
- 30 May 2024 Dear life – by Susan Francis
- 27 May 2024 Refuse – by Hei Gou
- 15 May 2024 bodytruth – by Orlando Silver
- 15 May 2024 Lux – by Linden Hyatt
- 15 May 2024 Gristle and bone – by Jade Doyle
- 18 Apr 2024 Kevin – by Sarah Langfield
- 18 Apr 2024 Start where you are – by Jenny Sinclair
- 9 Apr 2024 Light hazard – by Sophie Overett
- 14 Mar 2024 Magic – by Maria Takolander and David McCooey
- 4 Mar 2024 The Budgie - by Jing Cramb
- 27 Nov 2023 The Interpreter – by Mariam Tokhi
- 13 Nov 2023 This Time Next Week – by Richard Rebel
- 13 Nov 2023 The Cheesewring – by Campbell Andersen
- 27 Oct 2023 Rat – by Anjelica Rush
- 14 Sept 2023 Nursery – by Nicola Redhouse
- 14 Sept 2023 Home of the Pure Heart, House of the Dying – by Rafael SW
- 21 Aug 2023 Sandcastles – by Ruth Armstrong
- 20 Aug 2023 The Mowing – by Ivy Ireland
- 16 Aug 2023 In the Archives – by Keely Jobe
- 11 Aug 2023 A Thin, Brilliant Line – by Lal Perera
- 6 July 2023 The River Path – by Tadhg Muller
- 6 June 2023 Strokes of White – by Julian Fell
- 23 May 2023 The Blue Fox – by Michael Burrows
- 23 May 2023 How to Kill a Pea – by Lara Keys
- 14 Apr 2023 Dottie and Pin Go Somewhere – by Kate Kruimink
- 29 Mar 2023 The Planet Terrarium - by Philomena van Rijswijk
- 2 Feb 2023 Sloane on the Mountain – by Alexander Bennetts
- 2 Feb 2023 Infrared – by Ryan Delaney
- 2 Feb 2023 The Day the Wave Came – by Paul Mitchell
- 17 Jan 2023 Collateral Damage – by John Tully
- 17 Jan 2023 Philomela – by Orana Loren
- 7 Dec 2022 The Museum – by Gemma Parker
- 7 Dec 2022 The Moths – by Gillian Britton
- 5 Dec 2022 Finger-branches – by Eliza Henry-Jones
- 10 Nov 2022 The Grass Painter – by KA Rees
- 23 Sept 2022 Nithing – by Clayton O’Toole
- 25 Aug 2022 Animal Life of Penang – by Claire Aman
- 25 Aug 2022 Butter – by Daniel Ray
- 15 Aug 2022 Not Gone, Just Different – by Rae White
- 15 Aug 2022 Rigel and Betelgeuse – by A E Macleod
- 1 Aug 2022 Get Joy from GetJoy – by Alex Cothren
- 20 June 2022 No Tomorrow – by Catherine Deery
- 20 June 2022 The Great Aviary of Love – by Kathryn Goldie
- 26 May 2022 Moss – by Jane Rawson
- 14 Apr 2022 Bombera – by Josefina Huq
- 17 Mar 2022 One Man’s Trash – by Piri Eddy
- 2 Mar 2022 Geometry of Lament – by Alicia Sometimes
- 10 Feb 2022 Interiors – by Zac Picker
- 21 Jan 2022 Phantom Menace Hours – by Victoria Manifold
- 21 Jan 2022 Sea Legs – by Sophie Overett
- 23 Nov 2021 Celebrity – by Chris McTrustry
- 5 Nov 2021 Fisher Girls – by Barry Lee Thompson
- 15 Oct 2021 Cake Flat - by Marion May Campbell
- 1 Oct 2021 An Encounter - by Katerina Gibson
- 16 Sept 2021 Captain Boner - by Alex Cothren
- 2 Sept 2021 Into the Clear Blue - by Susan McCreery
- 26 Aug 2021 Surrogate Mother - by Helena Pantsis
- 17 Aug 2021 An August for My July Mother - by Karina Ko
- 10 Aug 2021 The Good Woman - by Anneliz Erese
- 28 July 2021 A Man Alone - by Mark O’Flynn
- 13 July 2021 Boxing Day - by Fiona Robertson
- 2 July 2021 Severe Weather Warning - by Miriam Webster
- 24 June 2021 Three Fragments - by Cameron Hindrum
- 7 June 2021 King of Sweets - by Atul Joshi
- 6 June 2021 Agency - by Tasnim Hossain
- 2 June 2021 Go Get Boy – by Alison Flett
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Nonfiction
- 21 May 2026 Emerald City – by Henry Chase Richards
- 21 May 2026 Black Grandma – by Emma-Lee Maher
- 12 Mar 2026 The moss garden method – by Gina Ward
- 3 Mar 2026 Between snow and slogans - by Ramak Bamzar
- 22 Jan 2026 Heartbreakful – by Siobhan Kavanagh
- 16 Dec 2025 The aesthetics of endless seeking – by Deniz Yildiz
- 25 Nov 2025 Habitat – by Rosalee Kiely
- 25 Nov 2025 Menura novaehollandiae – by Frankey Chung-Kok-Lun
- 14 Nov 2025 A new literature of exhaustion: David Szalay’s ‘Flesh’ – by Adam Ouston
- 14 Nov 2025 Cute poem – by Toby Fitch
- 21 Oct 2025 Life Span – by Fiona Reilly
- 10 Sept 2025 Outer Banks – by Kathleen Williams
- 28 Aug 2025 Extinctions – by Dani Netherclift
- 22 Aug 2025 Cold coffee – by Aboubakr Daqiq
- 17 July 2025 The more you are going home – by Stephen Orr
- 25 June 2025 Inaugural visit: snapshots – by Lesh Karan
- 2 June 2025 a natural sort of being – by Miriam Jones
- 3 Apr 2025 Beasting – by Heather Taylor-Johnson
- 28 Jan 2025 ‘Called to beauty’ – an interview with Elizabeth Gilbert
- 20 Jan 2025 Grass, willow, skin – by Ben Walter
- 10 Jan 2025 Bunya: Axis limen – by Justin Russell
- 11 Dec 2024 The water’s edge – by Craig White
- 22 Nov 2024 Brackish tongue – by Roanna McClelland
- 19 Nov 2024 The only fish – by Ben Walter
- 31 Oct 2024 The ballet school – by Helena Gjone
- 25 Sept 2024 Great flying soar and in command – by Lily Chan
- 19 Sept 2024 Dhanggal Bawagal: Mussel Sisters – by Michelle Vlatkovic
- 29 Aug 2024 The libraries we must enter, the songs we will sing – by Jamil Badi
- 22 Aug 2024 Girl/Monster – by Simmone Howell
- 14 Aug 2024 Words inside words – by Ouyang Yu
- 24 July 2024 Snakes in the valleys, in their hair – by Ben Walter
- 17 July 2024 Wave and blue – by Beth Kearney
- 26 June 2024 Conversation IV: Permission to witness – by Libby King
- 12 June 2024 Rain Rain – by Indigo Bailey
- 12 June 2024 Clothing the whiteness – by Isabella Wang
- 12 June 2024 The other hand – by Carly Stone
- 12 June 2024 Collection of collections – by Meredith Jelbart
- 12 June 2024 We Were Here – by Sarah Firth
- 30 May 2024 Thrift – by Catherine Zhou
- 27 May 2024 Bog bodies: Iron Age dreamland – by Lucinda Lagos
- 15 May 2024 Its bowl of red blooms out of sheer love of me – by Xiaole Zhan
- 18 Apr 2024 Laptop death – by David Thomas Henry Wright
- 18 Apr 2024 The goose of granite islands – by Suyanti Winoto-Lewin
- 2 Apr 2024 The perfect human – by Niki Bañados
- 1 Apr 2024 In Quarantine – by Megan Clement
- 31 Mar 2024 This Moon – by Megan Coupland
- 14 Mar 2024 Ghost streets – by Alexandra Sangster
- 4 Mar 2024 A thousand gifts – by Maki Morita
- 1 Feb 2024 Gifts from a harsh continent – by Tehnuka
- 11 Dec 2023 The Last Ever Comic to be Published in a Literary Magazine…Ever!!
- 27 Nov 2023 The Hairy Iceberg – by Kylie Moppert
- 27 Oct 2023 Scarface 1–5 – by Kylie Mirmohamadi
- 27 Oct 2023 The Conversation of Weaving – by RT Wenzel
- 14 Sept 2023 Sharehouse Archaeology – by Ale Prunotto
- 14 Sept 2023 In the River – by Searlait O’Neill
- 16 Aug 2023 Hawksbill – by Grace Heathcote
- 11 Aug 2023 Woonoongoora – by Caroline Gardam
- 22 June 2023 Objects of Illness/Recovery – by Anna Jacobson and Katerina Bryant
- 6 June 2023 The Dark House – by Emma Yearwood
- 23 May 2023 Lines of Location – by Johanna Ellersdorfer
- 23 May 2023 How to Build a Brother – by Helena Pantsis
- 28 Apr 2023 Selfish Ghosts – by Heather Taylor-Johnson
- 28 Apr 2023 Sudden, Temporary Deaths – by Chris Fleming
- 28 Apr 2023 Wingsets and Snowdrifts: A Subantarctic Year – by Emily Mowat
- 28 Apr 2023 The Long Daylight – by Jo Gardiner
- 28 Apr 2023 Chaste – by Suri Matondkar
- 14 Apr 2023 Landfall – by Megan Coupland
- 2 Feb 2023 Lines of Curiosity – by Margaret Aitken
- 17 Jan 2023 Learning to Be Tame – by Carla Silbert
- 17 Jan 2023 Rubbish – by Liz Betts
- 8 Dec 2022 Pamirs – by Nathan Mifsud
- 7 Dec 2022 Compare and Contrast – by Gillian Bouras
- 6 Dec 2022 Who Owns the Greek Myths? – by Katerina Cosgrove
- 22 Nov 2022 I Go Down to the Shore – by RT Wenzel
- 22 Nov 2022 The Shimmer of Flying Fox Landscape – by Matthew Chrulew
- 22 Nov 2022 Animal Rescue – by Bastian Fox Phelan
- 22 Nov 2022 In the Rain Shadow – by Jessica Carter
- 22 Nov 2022 The Magpie and the Scarecrow – by Helena Pantsis
- 22 Nov 2022 The Right One to Rescue – by Sharon Kent
- 23 Sept 2022 Far Out, Cats – by M.T. O’Byrne
- 1 Aug 2022 Straight From the Horse’s Mouth: Windsor Chairmaking in Tasmania – by Dan Dwyer
- 25 July 2022 Living Poets – by Jessica Lim
- 25 July 2022 An Open Space – by Luke Johnson
- 14 July 2022 A Shadow From Country – by Naomi Parry
- 14 July 2022 The Sound of Light – by Verity Borthwick
- 14 July 2022 If You Join the Circle, You Must Dance – by Katerina Cosgrove
- 14 July 2022 Hospitality – by Nicole Melanson
- 8 June 2022 The Ocean Sounds Like a Motorway – by Melissa Fagan
- 8 June 2022 The Backyard Project: Notes from Stolen Land – by Lia Hills
- 8 June 2022 Schrödinger’s Butterflies – by Dave Witty
- 8 June 2022 Feel the Quiet – by Zohra Aly
- 8 June 2022 And a Moth Flew Out – by Helena Kadmos
- 8 June 2022 A New Garden – by Erica Nathan
- 26 May 2022 The Third Angel of Chernobyl – by Carmel Bird
- 13 Apr 2022 A Year Without Mirrors – by Sarah Klenbort
- 17 Mar 2022 The Turkeys – by Saraid Taylor
- 2 Mar 2022 Spectral Coordinates – by Brigid Magner
- 10 Feb 2022 Falling Asleep Under the Love Umbrella – by Clare Millar
- 6 Dec 2021 A Waving Forest – by Zowie Douglas-Kinghorn
- 6 Dec 2021 Changing Spots – by Sharon Kent
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Poetry
- 21 May 2026 Fortune-Cookie-Industrial Complex – by Erica Williams
- 27 Apr 2026 taking care of business – by Brian Obiri-Asare
- 27 Apr 2026 Conversing with broken things – by Lesh Karan
- 27 Apr 2026 Ahead of Tropical Cyclone Alfred, e-scooters trap a car – by Isabella G Mead
- 27 Apr 2026 night heart – by Claire Gaskin
- 27 Apr 2026 Ichthyophobe – by Megan Cartwright
- 12 Mar 2026 Intraocular – by Geoff Page
- 25 Feb 2026 Augury: sea surface temperature charts – by Georgina Woods
- 25 Feb 2026 Cold Water Swimming in Lyme Regis – by Audrey Molloy
- 25 Feb 2026 My Kaathii Sister – by Julie Janson
- 22 Jan 2026 The midnight shift – by Jena Woodhouse
- 17 Dec 2025 Basement – by Damen O’Brien
- 16 Dec 2025 Dear neighbours, – by Jane Gibian
- 5 Dec 2025 Honeymoon – by Ella Jeffery
- 21 Oct 2025 Game, Set, Match – by Maria Takolander and David McCooey
- 2 Oct 2025 Is this devotion? – by Rae White
- 1 Oct 2025 (five monostiches) – by Beth Spencer
- 23 Sept 2025 Waterborne – by Timothy Neale
- 10 Sept 2025 Alhambra – by Omar Musa
- 22 Aug 2025 If Anne Carson had grown up on a cattle station in the Northern Territory – by Johanna Bell
- 8 July 2025 Anglerfish – by Siobhan Hodge
- 16 June 2025 My fisherman – by Scott-Patrick Mitchell
- 16 June 2025 Rescue – by Toby Davidson
- 2 June 2025 with flowers – by Alexander Bennetts
- 15 May 2025 An Island of Dogs – by Ronald Araña Atilano
- 3 Apr 2025 Movable – by David Ishaya Osu
- 20 Mar 2025 The Burial Feathers – by Yasmin Smith
- 20 Mar 2025 Lateral ambling gait – by Emilie Collyer
- 20 Mar 2025 and – by Helen Jarvis
- 11 Mar 2025 Pedder Galaxias Pantoum – by Toby Fitch
- 27 Feb 2025 Night Movements – by Daniel Ray
- 19 Feb 2025 Chinese Funerals as Theatre – by Xin Lee
- 5 Feb 2025 Love Poem – by Luoyang Chen
- 18 Dec 2024 Washing my mother’s hair – by Helen Jarvis
- 27 Nov 2024 Friesland Farm under red clouds – by Cameron Lowe
- 13 Nov 2024 Dementia – by Anna Kerdijk Nicholson
- 31 Oct 2024 Visitor Ghazal – by Megan Cartwright
- 14 Oct 2024 1. – by Bobby K
- 22 Aug 2024 The Ascension on a MacBook Air – by Sam Morley
- 14 Aug 2024 The Edit / An Edit – by Michael Farrell
- 7 Aug 2024 Dysesthesia – by Shey Marque
- 24 July 2024 Dinner Call – by Anders Villani
- 3 July 2024 ‘Helen’ by Euripides – by Andrew Sutherland
- 21 June 2024 white nonsense – by Alice Allan
- 19 June 2024 Telegram – by Natalie Susak
- 19 June 2024 new year’s day – by Mitch Cave
- 19 June 2024 Advice and Warnings – by Jill Jones
- 9 Apr 2024 If Movement Were a Language: Triptych – by Svetlana Sterlin
- 20 Mar 2024 Posture – by Jo Ward
- 20 Mar 2024 23 vignettes on the rental crisis – by Anna Jacobson
- 20 Mar 2024 Stanzas – by Jo Gardiner
- 20 Mar 2024 Parturition Chairs I-V – by Isabella G Mead
- 20 Mar 2024 Grandmother’s Limbs – by Svetlana Sterlin
- 20 Mar 2024 Friendly fire – by Tricia Dearborn
- 21 Feb 2024 Day 210 – by Brigid Coleridge
- 21 Feb 2024 Shedload – by Chris Andrews
- 21 Feb 2024 Improbable Acts of Proximity – by Shey Marque
- 24 Feb 2023 Sestina After B Carlisle – by Stuart Barnes
- 20 Feb 2023 Antarctica – by Andrew Sutherland
- 20 Feb 2023 The Girls Become – by John Foulcher
- 2 Mar 2022 Jobs for Women: Annunciate – by A Frances Johnson
- 2 Mar 2022 Heating and Cooling in the Time of Isolation – by Jessica L Wilkinson
- 2 Mar 2022 Self-portrait as Frida Kahlo – by Katherine Brabon
- 2 Mar 2022 Exoskeletons – by John Kinsella
- 2 Mar 2022 The Memory of Water - by Amy Crutchfield
- 7 June 2021 In My Father’s House - by Suneeta Peres da Costa
- 2 June 2021 Another Kind of Winter - by Anne Kellas
- 2 June 2021 Water on Rock, Wind in Trees - by Pete Hay
- 1 June 2021 Voyager I - by Sarah Day
- 1 June 2021 Thirty Pieces - by A Frances Johnson
- 1 June 2021 Maria-Mercè in the Palm Grove - by Eileen Chong
- 1 June 2021 gadhalumarra - by Yaaran Ellis
- 1 June 2021 Pink Sun - by Toby Fitch
- 1 June 2021 Beach Front - by Ellen van Neerven
- 31 May 2021 Walking a Forest Trail One Summer Afternoon - by Judith Beveridge
- 28 May 2021 Sunlight / Dear Mum - by Graham Akhurst
- 28 May 2021 Hippophobia - by Chloe Wilson
- 25 May 2021 Tend - by Jo Langdon
- 25 May 2021 Distorted Depiction - by Cassandra Atherton
- 23 May 2021 Ash in Sydney - by Jake Goetz
- 23 May 2021 On the Day You Launch - by Damen O’Brien
- 23 May 2021 What the Glass Holds - by Jill Jones
- 23 May 2021 Ekphrasis - by Belinda Rule
- 23 May 2021 I Protest - by Ouyang Yu
- 23 May 2021 Pulled Apart by Seahorses - by Gavin Yates
- 23 May 2021 Sonnet 29 - by Stuart Barnes
- 23 May 2021 Waiting Room - by Felicity Plunkett
- 23 May 2021 Analogue - by Stephen Edgar