Divinations – by Gayelene Carbis

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I had this fall in the street and fell to the ground like flour.

After that I became very frail, as if I was old, unsteady on my feet.

Suddenly I was less vital – as if my normal organs could only function

if I was whole, complete; as if there is something unfinished about

falling. A friend one birthday wanted to come to my place and bake

a chocolate cake (with me) but I said I could be called out (and besides

I’d never baked a cake before and a birthday wasn’t the place to start).

I’d half-hoped he’d bring the chocolate cake without me having to be

involved in the baking but apparently there are things in people’s minds

which are quite convoluted and no amount of sieving will find them out.

So no chocolate cake came and I had to survive without it. But the thing is

once you fall for an idea you can never forget it. There is something

voracious about hope; about dreams. They rise and rise. I rose from

the ground, from the pavement, the street, the suburb. All my vital signs

were intact, a stranger assured me. She handed over a little book,

New Testament and Psalms, as if what had saved me wasn’t the bandage,

the pawpaw, the cold bottle of water she’d brought me. I said I’d read it

but I didn’t. I opened it at a page as if it was magical and would show me

something about something. I forget what the words were. What I mean is

the way you open it at a page and read a line as if it’s a message from

the universe, I couldn’t think of the word for it, but I knew I knew it.

I opened a page like a prayer or a promise but I didn’t like whatever it was

so I turned it to another page and read something else, but I know very well

that’s not how it works. If it works.  I don’t believe in things like that but still,

when you fall, you find yourself doing things quite out of character, as if some

other version of you gets up from that ground. This year I might ask that friend

if he can show me how to bake that chocolate cake. It’s textures I don’t like,

the way flour feels in your hands. After all, I’m not Demi Moore in Ghost with

her hands running through that clay, which I found quite gross, even though

she had Patrick Swayze behind her, simulating some kind of gooey wet sex.

I just want a chocolate cake. Is that too much to ask of the universe? ▼

Image: Unaizat Abdulgamidova - Pexels


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Gayelene Carbis

Gayelene Carbis lives and works on the unceded land of the Boonwurrung people. Gayelene’s recent poetry book, I Have Decided to Remain Vertical (Puncher & Wattmann) was awarded the Eyelands Writers’ Choice Award 2025 (Greece) and Eyelands Poetry Book Award 2024; and also, Highly Commended, NSW SWW Poetry Book Award; Distinguished Favourite, NYC Big Book Award; Finalist – Poetry Book Award (UK); and Best Book Award (US). Gayelene is currently shortlisted for the Nillumbik Prize for Contemporary Writing: Poetry; recently longlisted for the Blake Poetry Prize; and awarded Second Prize in the Varnish Prize for Fiction. Gayelene teaches Creative Writing at Sandybeach and universities and works as a manuscript assessor and writing mentor. 

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