Spiderweb – by Edie Popper

ISLAND | ONLINE ONLY

 A spider’s moved into my kitchen window, the northern one 

that gets good sun. Eye-sized, single scampering hand: 

daily, working at its weave. If a memory is a moth or mote, 

 

the mind tugs it, strand by strand, from its fatty web. Once 

recalled, the memory floats, untethered, while the neurons’

spinnerets respin it through new thread. Lightlike then, 

 

the memory can be prone to shift, drift, dapple, dim. 

Scientists suggest you don’t recall a memory, but the last time 

you remembered it. And to every recollection, changes come 

 

like sunset skies. Learning this, I start to fear remembering. 

Every day, dawn’s peachsong pools along the silk; then 

come silver spools of noon. The web collects moths, 

 

motes, fruit flies. Small holes like moons of air. The spider 

repairs what it can, as it can, until the whole thing finally tears.

Memories mottle, we forget; as the silk is bruised by shade. 

 

Scientists think spiders might house their minds partly in 

their webs which, when damaged, bring symptoms of stroke.  

To make another home for his dappling mind, my father weaves 

 

his own: boxes, folders, photos, lists. He writes up sticky-notes,

keeps maps and manuals. Labels shelves, doors and drawers. 

He lives among the keystones of his mind; the spider tethers 

 

thread to sill. At his desk, when he can, he sketches the plasma 

of thought caught in strands of graphite. Grey amber, grey light. 

He holds his threads, his tangled age. His hands are getting tacky.

 

Some of the threads catch where they shouldn’t. Tangle, tug, tear. 

He repairs what he can, as he can. Things dim, and every night

the spider in my window weaves. And even when it’s dim

 

my father spins, again, his spinning spinnerets.▼

Image: Michael Robak - Pexels


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Edie Popper

Edie Popper (they/them) is a critical care nurse and poet living and working on unceded Gadigal, Wangal and Burramattagal Lands. Edie’s writing aims to add to the landscape of writers imagining worlds of planetary justice, focusing on relationships, earth as our kin, queerness, illness, memory and history, and often interrogates the medical system, the climate crisis and class. Their poetry appears in Cordite, Meniscus Journal, the Oystercatcher II anthology, Right Now Mag, Marrow Poetry International, among others, and won the 2025 Woorilla Poetry Prize. 

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