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Self-portrait as Frida Kahlo – by Katherine Brabon
RUNNER-UP IN THE GWEN HARWOOD POETRY PRIZE 2020/2021
I tell her about Frida Kahlo her right leg thinner than the other my left leg / thinner than the other. A pebble of obsession in me a need for similarity of / any limb. The slow ebb circulation in her leg my knee is concrete I say / this my friend shifts one leg over the other. Frida saying I must have full / skirts and long, now that my sick leg is so ugly. I say my sick leg is so / ugly my sick leg is so ugly, says my friend …
Exoskeletons – by John Kinsella
RUNNER-UP IN THE GWEN HARWOOD POETRY PRIZE 2020/2021
Words are less inherently
appealing less appealing
inherently only as skin
needing to graft extra
senses though likely that’s
too harsh an abrasive rub
of wild oats and seed spikes…
The Memory of Water - by Amy Crutchfield
WINNER OF THE GWEN HARWOOD POETRY PRIZE 2020/2021
Autonomy’s paupers, golden of limb,
summers stretched like gum,
waiting for something to happen
and then it does. We meet C …
Interiors – by Zac Picker
Back in the old days, Shad used to look up at night and think about how it all seemed so big. It was a kind of secret psalm, he thought. Layers of learning stacked on top of each other like an upside-down pyramid projected from his head, stretched into the foggy distance of the firmament. Lying on the cool evening grass, he could feel it in the fuzzy spots behind his eyes …
Falling Asleep Under the Love Umbrella – by Clare Millar
The first book I give H is a picture book … H isn’t drawn to books these days, having let reading fall to the side during uni, but I give the book to him on the way to my place. It’s autumn, but feels like winter already, and we shiver on the bus. There’s just enough light to read against the darkness outside …
Phantom Menace Hours – by Victoria Manifold
It’s real Phantom Menace hours down at the motel. I’m waiting for Adam. We’re having an affair but haven’t consummated it yet. I’m vaguely worried that if we have sex it’ll be terrible, ‘not because of me,’ I’d told him, ‘I’m really good at it.’ And it’s true. I have a great track record with lots of positive feedback …
Sea Legs – by Sophie Overett
‘Okay,’ he says, knocking a sand-covered knee against hers. ‘You have to tell me why.’
And she gives him that look. The one she knows will burrow under his skin, feasting on any wriggling uncertainty, an emerita in the beach of him.
‘I don’t have to tell you anything.’
He laughs like he gets it, which he doesn’t, because if he did, he wouldn’t have asked in the first place …
Six new articles inspired by nature – an introduction
We are excited to publish the first six articles from our Australian Nature Writing Project. These have been selected by our Online Editor, Ben Walter, who also initiated the project. This is what Ben had to say about the first set of works.
Recently I sat on an upper floor in the Hobart library, intending to write this introduction, but a huge storm was mounding up through the windows; lightning flashed and thunder tore the sky as the clouds whirled grey. I was totally distracted – despite my best intentions, the natural world interfered and I got nothing done. When we began this first of three cycles publishing Australian nature writing, we hoped to find writers who had let nature disrupt their work much more productively …
A Waving Forest – by Zowie Douglas-Kinghorn
… Beneath the water, life is more graceful. Sprawling groves of kelp shift and furl in the current, while tiny silver snook fish dart between the seaweed; a wrasse glides between the plunging curtains. I follow it, hearing my sucking breath amplified by my snorkel. The mask fogs up. I continue paddling, floating and kicking over the kelp beds. I can’t see anything except a cloud of my own shallow breathing. Suddenly, my heart is racing—my chest feels like it will burst. The physical sensation of being underwater grips my ribcage like a vice. As spots appear in the corner of my mask, every shadow becomes a dark trench ready to swallow me …
Changing Spots – by Sharon Kent
I find the scats on the beach, lying by a faint depression in the sand. With careful gloved hands I pick them up. They are strange – grey-brown with a gritty texture, smelling nothing like the dog faeces they are supposed to resemble. I label a plastic bag with neat letters –16 January 2017. The Neck, Bruny Island, Tasmania – then drop the scats into the bag and seal it up. Later, a researcher will examine the specimen and extract samples for DNA analysis – a small piece in a giant puzzle. Through the plastic, I can see feathers. They are black and white. I wonder if any of them belong to the little penguins from the colony behind the dunes …
A Questionable Survey of Suburban Eucalypts – by Uthpala Gunethilake
… There are several magnificent specimens down the slope; tall, always tall, with reddish-orange trunks and sprays of white blossoms in summer. Two books, one app and many websites later, I’m confused – is this a grey gum that has shed its bark or a Sydney red gum? Another has the telltale squiggle of moth larvae etched on its creamy-smooth bark, so it must be a scribbly gum. But it looks so much like another smooth-barked species, which fits the description of blackbutt. Another has bark furrowed like a Christmas log cake – is that a stringybark? The thing is, I can’t be sure. I know they’re all eucalypts, but I can’t call them by their names …
The Rats Move In – by Karen A Johnson
… Death and disease have hijacked the world’s narrative, at least until the sheer enormity becomes too overwhelming, and it becomes impossible to concentrate on anything outside of the inside. We beat hasty retreats to our homes and hide away until the next news broadcast. The news has replaced the novel in my world.
This is the time for explorative, dangerous fiction. Apocalyptic fiction. But I’m living in a fiction I can’t find a way to write. Nothing rivals the terror of nonfiction. I go online. I could order a gun, a knife. I don’t. I order a plant. A life …
Fire There Is – by Searlait O’Neill
My younger brother said that it looked as though all the feathers had been pulled from the skin of a bird, leaving nothing but demarcated veins. He went on to say, ‘That’s not exactly how it looked. I can’t say, really, how it looked.’ At the time we spoke about this, I was trying out images. I thought I’d stumble across something that could capture it. Asking him to recount the experience of seeing our brother, J, and the fire, I was looking to capture a feeling more than anything. The feeling of seeing your brother’s arms burn, of seeing his clothes dropping away like singed leaves …
Riverine – by Kavita Bedford
… Then, it was as if the river was remembered. In the first month of the pandemic, the golden hour hit the river at six each evening. The skies were honey drenched … As the pandemic stretched over months, time ran tandem to the river. My days were linked to other city dwellers, whose sense of time, once ruled by workplaces, was now punctuated only by river walks. On certain days, the river was like glass, reflecting the sky back to itself. One day, I watched a silver heron perched on a dead tree, bark and bird merging into one bar of light as the sun went down …
How to Be a Better Mother – by Lisa Kenway
Don’t wait too long to start a family, but before trying to conceive, make sure you’re ready to support a child, financially and emotionally. Be prepared to put someone else’s needs ahead of your own. Write a birth plan. Exercise regularly. Don’t smoke or inhale second-hand smoke. Don’t eat raw fish or soft cheese. Cut out caffeine and alcohol. Religiously consume prenatal vitamins, but think twice about taking any other medication, even a headache tablet, during the pregnancy …
Celebrity – by Chris McTrustry
… “Well, yeah, acting. What’s that all about? Remember a few lines and don’t walk into the props.” … John Markham is a children's literature veteran with more than fifty titles to his name. He’s recently embarked on a soap opera acting career at the age of fifty-seven. “Yeah, it’s a bit of fun. You rock up, knock off a couple of scenes and hit somewhere trendy for a long lunch. Nothing to it.” …
The Funeral [Farewell Kenny-G] – by W<J>P Newnham
I had not seen Kenny in years; not up the shops nor hooning past in stolen drift cars with hot dogged exhausts; not on the nightly news. None of the usual sightings. Once, I had seen him looking the part, the weasel-faced crim on Crime Watch; I knew it was him, that Glock held sideways like an OG, that Schnozzle that even a balaclava couldn’t cover. He had been a one-man crime wave / Ice cold and running crack-pipe-hot …
Fisher Girls – by Barry Lee Thompson
Over time we’ve come to call them the fisher girls. There were three of them that day, whip-thin and dressed head to toe in black, with jet-black hair scraped off their faces and secured into tails at their necks. Long, those tails, swinging this way and that as the girls walked in measured steps to the river’s edge.
We watched as they unzipped their narrow bags and deftly assembled short, sturdy rods. I thought they must have come to the river to fish, and how unlike the usual fishermen they were. But when it looked as if they might be about to cast, they turned their backs on the water and stood still and silent in a line, facing us. Expressions impassive, rods held steady …
6 Years, 6 Months and 24 Days Apart – by Saanjana Kapoor
… I lead, and she follows close behind. I wonder if she has it easier, given she can watch and learn from my mistakes. Is that what a younger sister is, a better version of the older one? Doesn’t that make me the understudy? Born to prepare her for the role I have rehearsed my entire life; it will never be mine when she can play it better …
Cake Flat - by Marion May Campbell
Cake Flat. The finality of the spondee – stressed syllable plus stressed syllable. Flat-footed, no pretence. With her low salary and her boy to support she heads for Cake Flat, the dormitory suburb on the coastal plain where she, as they say, can get a foot in the door, a state-subsidised mortgage deposit. Then the interest rates shoot up. Real cake is spongey moist succour and chocolate-dark. Not Cake Flat …
Archive
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Arts Features
- 12 June 2024 We Were Here – by Sarah Firth
- 2 Apr 2024 The perfect human – by Niki Bañados
- 11 Dec 2023 The Last Ever Comic to be Published in a Literary Magazine…Ever!!
- 2 June 2021 Fury - by Andrew Harper, on Lucienne Rickard’s ‘Extinction Studies’
- 2 June 2021 Julie Gough: Tense Past
- 1 June 2021 Tiefenzeit - by Tricky Walsh
- 1 June 2021 Islands and Ships - by Joshua Santospirito
- 1 June 2021 The Intimacy of Daily Life: The News is the Weather - by Rosie Flanagan and Miriam McGarry
- 1 June 2021 Fragments of Place - by Andrew Harper
- 1 June 2021 Beware of Imposters (the secret life of flowers) - by Selena de Carvalho
- 31 May 2021 Welcome Territory - Selena de Carvalho responds to Tanya Lee’s ‘Landing’
- 27 May 2021 Sisters Akousmatica: Herstory of Radio
- 25 May 2021 Double Yolker - by Mish Meijers
- 23 May 2021 Stepping Back from The Edge: Re-imagining Queenstown - by Cameron Hindrum
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Fiction
- 6 Nov 2024 The miracle – by Nadia Mahjouri
- 8 Oct 2024 Chrysalis – by Lachlan Plain
- 11 Sept 2024 The mystery of the lost hours – by Sue Brennan
- 4 Sept 2024 Masters – by Andrei Seleznev
- 7 Aug 2024 Paan – by Josefina Huq
- 18 July 2024 A major theft – by Emma Rosetta
- 17 July 2024 Devotion – by RT Wenzel
- 10 July 2024 He is the candle – by Lucy Norton
- 10 July 2024 These are no clear directions – by Lars Rogers
- 3 July 2024 Bound – by Liz Evans
- 26 June 2024 Prelude to a flight – by Joel Keith
- 30 May 2024 Dear life – by Susan Francis
- 27 May 2024 Refuse – by Hei Gou
- 15 May 2024 bodytruth – by Orlando Silver
- 15 May 2024 Lux – by Linden Hyatt
- 15 May 2024 Gristle and bone – by Jade Doyle
- 18 Apr 2024 Kevin – by Sarah Langfield
- 18 Apr 2024 Start where you are – by Jenny Sinclair
- 9 Apr 2024 Light hazard – by Sophie Overett
- 14 Mar 2024 Magic – by Maria Takolander and David McCooey
- 4 Mar 2024 The Budgie - by Jing Cramb
- 27 Nov 2023 The Interpreter – by Mariam Tokhi
- 13 Nov 2023 This Time Next Week – by Richard Rebel
- 13 Nov 2023 The Cheesewring – by Campbell Andersen
- 27 Oct 2023 Rat – by Anjelica Rush
- 14 Sept 2023 Nursery – by Nicola Redhouse
- 14 Sept 2023 Home of the Pure Heart, House of the Dying – by Rafael SW
- 21 Aug 2023 Sandcastles – by Ruth Armstrong
- 20 Aug 2023 The Mowing – by Ivy Ireland
- 16 Aug 2023 In the Archives – by Keely Jobe
- 11 Aug 2023 A Thin, Brilliant Line – by Lal Perera
- 6 July 2023 The River Path – by Tadhg Muller
- 6 June 2023 Strokes of White – by Julian Fell
- 23 May 2023 The Blue Fox – by Michael Burrows
- 23 May 2023 How to Kill a Pea – by Lara Keys
- 14 Apr 2023 Dottie and Pin Go Somewhere – by Kate Kruimink
- 29 Mar 2023 The Planet Terrarium - by Philomena van Rijswijk
- 2 Feb 2023 Sloane on the Mountain – by Alexander Bennetts
- 2 Feb 2023 Infrared – by Ryan Delaney
- 2 Feb 2023 The Day the Wave Came – by Paul Mitchell
- 17 Jan 2023 Collateral Damage – by John Tully
- 17 Jan 2023 Philomela – by Orana Loren
- 7 Dec 2022 The Museum – by Gemma Parker
- 7 Dec 2022 The Moths – by Gillian Britton
- 5 Dec 2022 Finger-branches – by Eliza Henry-Jones
- 10 Nov 2022 The Grass Painter – by KA Rees
- 23 Sept 2022 Nithing – by Clayton O’Toole
- 25 Aug 2022 Animal Life of Penang – by Claire Aman
- 25 Aug 2022 Butter – by Daniel Ray
- 15 Aug 2022 Not Gone, Just Different – by Rae White
- 15 Aug 2022 Rigel and Betelgeuse – by A E Macleod
- 1 Aug 2022 Get Joy from GetJoy – by Alex Cothren
- 20 June 2022 No Tomorrow – by Catherine Deery
- 20 June 2022 The Great Aviary of Love – by Kathryn Goldie
- 26 May 2022 Moss – by Jane Rawson
- 14 Apr 2022 Bombera – by Josefina Huq
- 17 Mar 2022 One Man’s Trash – by Piri Eddy
- 2 Mar 2022 Geometry of Lament – by Alicia Sometimes
- 10 Feb 2022 Interiors – by Zac Picker
- 21 Jan 2022 Phantom Menace Hours – by Victoria Manifold
- 21 Jan 2022 Sea Legs – by Sophie Overett
- 23 Nov 2021 Celebrity – by Chris McTrustry
- 5 Nov 2021 Fisher Girls – by Barry Lee Thompson
- 15 Oct 2021 Cake Flat - by Marion May Campbell
- 1 Oct 2021 An Encounter - by Katerina Gibson
- 16 Sept 2021 Captain Boner - by Alex Cothren
- 2 Sept 2021 Into the Clear Blue - by Susan McCreery
- 26 Aug 2021 Surrogate Mother - by Helena Pantsis
- 17 Aug 2021 An August for My July Mother - by Karina Ko
- 10 Aug 2021 The Good Woman - by Anneliz Erese
- 28 July 2021 A Man Alone - by Mark O’Flynn
- 13 July 2021 Boxing Day - by Fiona Robertson
- 2 July 2021 Severe Weather Warning - by Miriam Webster
- 24 June 2021 Three Fragments - by Cameron Hindrum
- 7 June 2021 King of Sweets - by Atul Joshi
- 6 June 2021 Agency - by Tasnim Hossain
- 2 June 2021 Go Get Boy – by Alison Flett
- 1 June 2021 Tiefenzeit - by Tricky Walsh
- 1 June 2021 The Lever, the Pulley and the Screw - by Andrew Roff
- 1 June 2021 The Voices of the Magpies - by Laura McPhee-Browne
- 1 June 2021 The Tick Tock Killer - by Alex Cothren
- 1 June 2021 Birds - by Anne Casey-Hardy
- 1 June 2021 The Wolves - by Josephine Rowe
- 1 June 2021 Cod Opening - by Wayne Marshall
- 27 May 2021 Stingrays - by Christine Kearney
- 25 May 2021 Eve - by Laura Elvery
- 23 May 2021 The Teeth and the Curl: A Note to a Cousin - by Robbie Arnott
- 23 May 2021 Extension - by Anthony Lynch
- 23 May 2021 Okay is a Verb - by Erin Hortle
- 23 May 2021 Into the Flames, Down to Our Shoes, Vienna - by John Saul
- 23 May 2021 Just Maybe - by Dominic Amerena
- 23 May 2021 46 - by Ana Duffy
- 23 May 2021 Apple Suite - by Danielle Wood
- 23 May 2021 Foundations - by Michael Blake
- 22 May 2021 Blackbird - by Magdalena Lane
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Nonfiction
- 31 Oct 2024 The ballet school – by Helena Gjone
- 25 Sept 2024 Great flying soar and in command – by Lily Chan
- 19 Sept 2024 Dhanggal Bawagal: Mussel Sisters – by Michelle Vlatkovic
- 29 Aug 2024 The libraries we must enter, the songs we will sing – by Jamil Badi
- 22 Aug 2024 Girl/Monster – by Simmone Howell
- 14 Aug 2024 Words inside words – by Ouyang Yu
- 24 July 2024 Snakes in the valleys, in their hair – by Ben Walter
- 17 July 2024 Wave and blue – by Beth Kearney
- 26 June 2024 Conversation IV: Permission to witness – by Libby King
- 12 June 2024 Rain Rain – by Indigo Bailey
- 12 June 2024 Clothing the whiteness – by Isabella Wang
- 12 June 2024 The other hand – by Carly Stone
- 12 June 2024 Collection of collections – by Meredith Jelbart
- 12 June 2024 We Were Here – by Sarah Firth
- 30 May 2024 Thrift – by Catherine Zhou
- 27 May 2024 Bog bodies: Iron Age dreamland – by Lucinda Lagos
- 15 May 2024 Its bowl of red blooms out of sheer love of me – by Xiaole Zhan
- 18 Apr 2024 Laptop death – by David Thomas Henry Wright
- 18 Apr 2024 The goose of granite islands – by Suyanti Winoto-Lewin
- 2 Apr 2024 The perfect human – by Niki Bañados
- 1 Apr 2024 In Quarantine – by Megan Clement
- 31 Mar 2024 This Moon – by Megan Coupland
- 14 Mar 2024 Ghost streets – by Alexandra Sangster
- 4 Mar 2024 A thousand gifts – by Maki Morita
- 1 Feb 2024 Gifts from a harsh continent – by Tehnuka
- 11 Dec 2023 The Last Ever Comic to be Published in a Literary Magazine…Ever!!
- 27 Nov 2023 The Hairy Iceberg – by Kylie Moppert
- 27 Oct 2023 Scarface 1–5 – by Kylie Mirmohamadi
- 27 Oct 2023 The Conversation of Weaving – by RT Wenzel
- 14 Sept 2023 Sharehouse Archaeology – by Ale Prunotto
- 14 Sept 2023 In the River – by Searlait O’Neill
- 16 Aug 2023 Hawksbill – by Grace Heathcote
- 11 Aug 2023 Woonoongoora – by Caroline Gardam
- 22 June 2023 Objects of Illness/Recovery – by Anna Jacobson and Katerina Bryant
- 6 June 2023 The Dark House – by Emma Yearwood
- 23 May 2023 Lines of Location – by Johanna Ellersdorfer
- 23 May 2023 How to Build a Brother – by Helena Pantsis
- 28 Apr 2023 Selfish Ghosts – by Heather Taylor-Johnson
- 28 Apr 2023 Sudden, Temporary Deaths – by Chris Fleming
- 28 Apr 2023 Wingsets and Snowdrifts: A Subantarctic Year – by Emily Mowat
- 28 Apr 2023 The Long Daylight – by Jo Gardiner
- 28 Apr 2023 Chaste – by Suri Matondkar
- 14 Apr 2023 Landfall – by Megan Coupland
- 2 Feb 2023 Lines of Curiosity – by Margaret Aitken
- 17 Jan 2023 Learning to Be Tame – by Carla Silbert
- 17 Jan 2023 Rubbish – by Liz Betts
- 8 Dec 2022 Pamirs – by Nathan Mifsud
- 7 Dec 2022 Compare and Contrast – by Gillian Bouras
- 6 Dec 2022 Who Owns the Greek Myths? – by Katerina Cosgrove
- 22 Nov 2022 I Go Down to the Shore – by RT Wenzel
- 22 Nov 2022 The Shimmer of Flying Fox Landscape – by Matthew Chrulew
- 22 Nov 2022 Animal Rescue – by Bastian Fox Phelan
- 22 Nov 2022 In the Rain Shadow – by Jessica Carter
- 22 Nov 2022 The Magpie and the Scarecrow – by Helena Pantsis
- 22 Nov 2022 The Right One to Rescue – by Sharon Kent
- 23 Sept 2022 Far Out, Cats – by M.T. O’Byrne
- 1 Aug 2022 Straight From the Horse’s Mouth: Windsor Chairmaking in Tasmania – by Dan Dwyer
- 25 July 2022 Living Poets – by Jessica Lim
- 25 July 2022 An Open Space – by Luke Johnson
- 14 July 2022 A Shadow From Country – by Naomi Parry
- 14 July 2022 The Sound of Light – by Verity Borthwick
- 14 July 2022 If You Join the Circle, You Must Dance – by Katerina Cosgrove
- 14 July 2022 Hospitality – by Nicole Melanson
- 8 June 2022 The Ocean Sounds Like a Motorway – by Melissa Fagan
- 8 June 2022 The Backyard Project: Notes from Stolen Land – by Lia Hills
- 8 June 2022 Schrödinger’s Butterflies – by Dave Witty
- 8 June 2022 Feel the Quiet – by Zohra Aly
- 8 June 2022 And a Moth Flew Out – by Helena Kadmos
- 8 June 2022 A New Garden – by Erica Nathan
- 26 May 2022 The Third Angel of Chernobyl – by Carmel Bird
- 13 Apr 2022 A Year Without Mirrors – by Sarah Klenbort
- 17 Mar 2022 The Turkeys – by Saraid Taylor
- 2 Mar 2022 Spectral Coordinates – by Brigid Magner
- 10 Feb 2022 Falling Asleep Under the Love Umbrella – by Clare Millar
- 6 Dec 2021 A Waving Forest – by Zowie Douglas-Kinghorn
- 6 Dec 2021 Changing Spots – by Sharon Kent
- 6 Dec 2021 A Questionable Survey of Suburban Eucalypts – by Uthpala Gunethilake
- 6 Dec 2021 The Rats Move In – by Karen A Johnson
- 6 Dec 2021 Fire There Is – by Searlait O’Neill
- 6 Dec 2021 Riverine – by Kavita Bedford
- 24 Nov 2021 How to Be a Better Mother – by Lisa Kenway
- 8 Nov 2021 The Funeral [Farewell Kenny-G] – by W<J>P Newnham
- 28 Oct 2021 6 Years, 6 Months and 24 Days Apart – by Saanjana Kapoor
- 8 Oct 2021 Good For It - by Lillian Telford
- 21 Sept 2021 Peace Body Pain Body - by Jarad Bruinstroop
- 9 Sept 2021 The Orchid - by Erica Wheadon
- 26 Aug 2021 Various Emilys/Gondals - by Josie/Jocelyn Deane
- 17 Aug 2021 Fluctuations in Landscape/Language/Lasagne - by Christine Howe
- 10 Aug 2021 Witchcraft, charming, &c. - by Eliza Henry-Jones
- 29 July 2021 Submerged - by Nova Weetman
- 13 July 2021 Pilgrimage to Frog Hollow - by Clare Murphy
- 2 July 2021 You Can’t Go Home Again - by Jenny Sinclair
- 24 June 2021 31.5°S, 159°E - by Keely Jobe
- 7 June 2021 Athai - by Lakshmi Narayanan
- 6 June 2021 Reality Check - by Jocelyn Prasad
- 4 June 2021 Principles of Permaculture - by Sam George-Allen
- 2 June 2021 Fury - by Andrew Harper, on Lucienne Rickard’s ‘Extinction Studies’
- 2 June 2021 How Do You Make Them Let You Belong? - by Erin Hortle
- 2 June 2021 Housing Climate: From Plastic to Concrete - by Miriam McGarry
- 1 June 2021 Thirst - by Rick Morton
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Poetry
- 13 Nov 2024 Dementia – by Anna Kerdijk Nicholson
- 31 Oct 2024 Visitor Ghazal – by Megan Cartwright
- 14 Oct 2024 1. – by Bobby K
- 22 Aug 2024 The Ascension on a MacBook Air – by Sam Morley
- 14 Aug 2024 The Edit / An Edit – by Michael Farrell
- 7 Aug 2024 Dysesthesia – by Shey Marque
- 24 July 2024 Dinner Call – by Anders Villani
- 3 July 2024 ‘Helen’ by Euripides – by Andrew Sutherland
- 21 June 2024 white nonsense – by Alice Allan
- 19 June 2024 Telegram – by Natalie Susak
- 19 June 2024 new year’s day – by Mitch Cave
- 19 June 2024 Advice and Warnings – by Jill Jones
- 9 Apr 2024 If Movement Were a Language: Triptych – by Svetlana Sterlin
- 20 Mar 2024 Posture – by Jo Ward
- 20 Mar 2024 23 vignettes on the rental crisis – by Anna Jacobson
- 20 Mar 2024 Stanzas – by Jo Gardiner
- 20 Mar 2024 Parturition Chairs I-V – by Isabella G Mead
- 20 Mar 2024 Grandmother’s Limbs – by Svetlana Sterlin
- 20 Mar 2024 Friendly fire – by Tricia Dearborn
- 21 Feb 2024 Day 210 – by Brigid Coleridge
- 21 Feb 2024 Shedload – by Chris Andrews
- 21 Feb 2024 Improbable Acts of Proximity – by Shey Marque
- 24 Feb 2023 Sestina After B Carlisle – by Stuart Barnes
- 20 Feb 2023 Antarctica – by Andrew Sutherland
- 20 Feb 2023 The Girls Become – by John Foulcher
- 2 Mar 2022 Jobs for Women: Annunciate – by A Frances Johnson
- 2 Mar 2022 Heating and Cooling in the Time of Isolation – by Jessica L Wilkinson
- 2 Mar 2022 Self-portrait as Frida Kahlo – by Katherine Brabon
- 2 Mar 2022 Exoskeletons – by John Kinsella
- 2 Mar 2022 The Memory of Water - by Amy Crutchfield
- 7 June 2021 In My Father’s House - by Suneeta Peres da Costa
- 2 June 2021 Another Kind of Winter - by Anne Kellas
- 2 June 2021 Water on Rock, Wind in Trees - by Pete Hay
- 1 June 2021 Voyager I - by Sarah Day
- 1 June 2021 Thirty Pieces - by A Frances Johnson
- 1 June 2021 Maria-Mercè in the Palm Grove - by Eileen Chong
- 1 June 2021 gadhalumarra - by Yaaran Ellis
- 1 June 2021 Pink Sun - by Toby Fitch
- 1 June 2021 Beach Front - by Ellen van Neerven
- 31 May 2021 Walking a Forest Trail One Summer Afternoon - by Judith Beveridge
- 28 May 2021 Sunlight / Dear Mum - by Graham Akhurst
- 28 May 2021 Hippophobia - by Chloe Wilson
- 25 May 2021 Tend - by Jo Langdon
- 25 May 2021 Distorted Depiction - by Cassandra Atherton
- 23 May 2021 Ash in Sydney - by Jake Goetz
- 23 May 2021 On the Day You Launch - by Damen O’Brien
- 23 May 2021 What the Glass Holds - by Jill Jones
- 23 May 2021 Ekphrasis - by Belinda Rule
- 23 May 2021 I Protest - by Ouyang Yu
- 23 May 2021 Pulled Apart by Seahorses - by Gavin Yates
- 23 May 2021 Sonnet 29 - by Stuart Barnes
- 23 May 2021 Waiting Room - by Felicity Plunkett
- 23 May 2021 Analogue - by Stephen Edgar