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Nature Writing Project- Cycle 3
The next six pieces are the third and final cycle of work from our Australian Nature Writing Project.
The pieces were selected by Ben Walter, who also initiated the project. This is what Ben had to say about this set of works …
Recently, I found myself with a spare day in Launceston. I thought about climbing an obscure mountain nearby, but there’d been major rain, flooding in the area – the huge weather event that trammelled over Victoria in mid-October had also blasted Tasmania …
I Go Down to the Shore – by RT Wenzel
In the scheme of rivers, this river is not extraordinary. The surface is sometimes lustrous with scum and agricultural runoff, the riverbed coated in sludge and bacterial matting. Not a river you’d travel to see – although tourists do come for the platypuses.
Stretches of picturesque wilderness aren’t far away; this is Tasmania, after all. Golden mountainscapes and unpeopled beaches are always within driving distance. But I crave intimacy with my own backyard, and in particular, the uncultivated part beyond the marked beds, apple trees and sometimes-mown lawn. The terrain beyond the fence where the river lies …
The Shimmer of Flying Fox Landscape – by Matthew Chrulew
… We are in William Robinson’s Flying Fox Landscape. At first we were just looking at this oil painting from 1989. We stood there trying to orient ourselves, bewildered by shifting perspectives. We knew what the artist had called it and followed his hint, searched for the flying fox. Perhaps it’s just named for the locale near his home. But that name must have come from their presence. Perhaps that’s the flying fox there, just below centre, a brush of angular purples caught up in some to-do with a magpie. But perhaps it is us. Sucked into this scene, thrown about by its winds, flipped this way and that …
Animal Rescue – by Bastian Fox Phelan
My first experience of rescuing a native animal doesn’t end well. It’s after midnight and I’m driving home to Newcastle from Sydney. At the big roundabout in Jesmond, there’s a flash of pale-coloured feathers in my headlights. I swerve. Did I hit it? We pull over. When my partner spots the bird, it’s mounting the gutter on the far side of the highway. I can see its pink and grey plumage under the streetlights. It’s a galah, seemingly unfazed by its brush with death, strutting in the confident, plucky way that parrots do – perhaps just out for a midnight stroll? But that doesn’t seem right. Galahs aren’t nocturnal, and if they can still fly, they shouldn’t be walking across roads. Something about its wing looks funny – the way its tapered tip sags like a door that’s come off its hinges …
In the Rain Shadow – by Jessica Carter
I wake to the smell of fading red blossoms. The air is warm already. There are bushfires in the west, yet the haze is not smoke but dust. Late last night I arrived here, on the other side of the Great Dividing Range, the one marked by rain shadow, and the absence of tall buildings, rushing humans, city fumes and ocean breeze. The sky is wider, the plant leaves tighter. Breathing comes lightly.
I’m back on the family farm, but the return is always fraught – a mixture of trepidation and a deep pull somewhere near my heart. A reminder of the queasy combination of fear and hope that comes with being tethered to something …
The Magpie and the Scarecrow – by Helena Pantsis
Mangia, Mangia, the men call out, throwing bread through the metal fence, its tessellating wire pattern opening onto a park, sod wet and uneven. The factory sits directly beside the park. The men sit in the adjoining alleyway, cigarettes burning holes in their mouths while they tear their lunches apart with ashy hands. Mangia swoops lithely down from the gum. He opens his mouth – his voice threads through the gaps, a loud artillery, fine and fluty. A short, descending call. Mangia, Mangia, the men say in response to his carolling, c’mon magpie, time for lunch …
The Right One to Rescue – by Sharon Kent
… ‘Mum! There’s a cat on the road. With a bucket on its head.’
I am studying the map. From somewhere, I half-hear this ludicrous statement, but I dismiss it, like an annoying mosquito that I can’t be bothered to swat away. I turn to my son. ‘It’s going to be dark soon. Will – you – get – in – the – car!’ I flash him a stony look. ‘Hurry up!’
He hesitates, looking down the road forlornly, before trying a different tone.
‘There’s a cat on the road. With a bucket on its head.’ He speaks evenly, as if he’s dealing with someone who doesn’t understand his language, where there’s no point becoming exasperated or overly excited …
New Nature Writing Collection
The next six pieces are the second cycle of work from our Australian Nature Writing Project.
The pieces were selected by Ben Walter, who also initiated the project. This is what Ben had to say about this set of works.
I love wandering through ridiculous offtrack terrain in the mountains of Tasmania, but with three young kids, I find it can be pretty hard to get away. I’d love to say that reading nature writing serves as a substitute – that it totally compensates for the direct experience – and perhaps it does to a degree …
The Ocean Sounds Like a Motorway – by Melissa Fagan
How does the ocean sound? Like the hollowed-out whoosh of a shell cupped to your ear. A distant rustle. A constant murmur. A heavy thud, a thunderous clap, the creep of the encroaching tide. When heard from above—standing on the top of a rocky cliff—the sound of the ocean carries upwards, reaching towards your ears. Beneath the surface, it’s a deep, low warble. A ghostly, inhuman echo. A whale song …
The Backyard Project: Notes from Stolen Land – by Lia Hills
The murnong’s flower head droops, in need of a drink, a single closed tip at the end of an arching stem, like an organic streetlamp or an alien probe. I have no clock with me. I will measure time in plants, one per day, for the week that I’ll spend camping in my backyard – a half-acre in the Dandenongs – off-grid, tech-free, no contact with other humans. The plants come from a community nursery down the road that only sells local indigenous species. Each of the plants I’ll place in this ground has three names …
Schrödinger’s Butterflies – by Dave Witty
… Over the next few weeks, we saw the same butterflies on three, possibly four occasions. It is unlikely they were the same individuals - they live such short, hurried lives - but they were the same species. The common grass blue. Zizina labradus. A small butterfly not much bigger than a wasp. Its movement so fast and erratic, its size so slight, that when a grass blue comes into view, you notice only a flicker at first, a flicker that appears to jump several feet as it drops out of reality, only to reappear seconds later. Your eyes take time to adjust to their jinking motion. Only after ten, maybe twenty seconds, do you finally keep track of their passage …
Feel the Quiet – by Zohra Aly
There’s a list of things I imagine doing if I lived a different life: wandering into the small reserve I drive past daily, sipping my first cup of tea every morning on the patio bench, learning to identify native flora and fauna by name, picking up my embroidery from where I left it weeks ago. I never get round to them because I live this life, in which I’m wiping down kitchen benchtops, hanging laundry and scrolling through Instagram …
And a Moth Flew Out – by Helena Kadmos
What showering outdoors is teaching me about my place in the pandemic
At the bottom of my garden steps is a tap. I check that the valve to the sprinkler hose is closed, and that the one to the other hose is open. I turn on the tap and follow that hose to a hidey-hole behind a green plastic water tank that’s taller than I am. This is the shadiest spot in the garden …
A New Garden – by Erica Nathan
… Enticing birds to feast, shelter and pause in a shared urban space has been my ten-year learning mission. I love to garden. But even as I write this, my guard is up quicker than a thornbill’s early morning dip in the birdbath. Even among the declining number of enthusiasts, my idea of gardening lacks broad appeal …
Six new articles inspired by nature – an introduction
We are excited to publish the first six articles from our Australian Nature Writing Project. These have been selected by our Online Editor, Ben Walter, who also initiated the project. This is what Ben had to say about the first set of works.
Recently I sat on an upper floor in the Hobart library, intending to write this introduction, but a huge storm was mounding up through the windows; lightning flashed and thunder tore the sky as the clouds whirled grey. I was totally distracted – despite my best intentions, the natural world interfered and I got nothing done. When we began this first of three cycles publishing Australian nature writing, we hoped to find writers who had let nature disrupt their work much more productively …
A Waving Forest – by Zowie Douglas-Kinghorn
… Beneath the water, life is more graceful. Sprawling groves of kelp shift and furl in the current, while tiny silver snook fish dart between the seaweed; a wrasse glides between the plunging curtains. I follow it, hearing my sucking breath amplified by my snorkel. The mask fogs up. I continue paddling, floating and kicking over the kelp beds. I can’t see anything except a cloud of my own shallow breathing. Suddenly, my heart is racing—my chest feels like it will burst. The physical sensation of being underwater grips my ribcage like a vice. As spots appear in the corner of my mask, every shadow becomes a dark trench ready to swallow me …
Changing Spots – by Sharon Kent
I find the scats on the beach, lying by a faint depression in the sand. With careful gloved hands I pick them up. They are strange – grey-brown with a gritty texture, smelling nothing like the dog faeces they are supposed to resemble. I label a plastic bag with neat letters –16 January 2017. The Neck, Bruny Island, Tasmania – then drop the scats into the bag and seal it up. Later, a researcher will examine the specimen and extract samples for DNA analysis – a small piece in a giant puzzle. Through the plastic, I can see feathers. They are black and white. I wonder if any of them belong to the little penguins from the colony behind the dunes …
A Questionable Survey of Suburban Eucalypts – by Uthpala Gunethilake
… There are several magnificent specimens down the slope; tall, always tall, with reddish-orange trunks and sprays of white blossoms in summer. Two books, one app and many websites later, I’m confused – is this a grey gum that has shed its bark or a Sydney red gum? Another has the telltale squiggle of moth larvae etched on its creamy-smooth bark, so it must be a scribbly gum. But it looks so much like another smooth-barked species, which fits the description of blackbutt. Another has bark furrowed like a Christmas log cake – is that a stringybark? The thing is, I can’t be sure. I know they’re all eucalypts, but I can’t call them by their names …
The Rats Move In – by Karen A Johnson
… Death and disease have hijacked the world’s narrative, at least until the sheer enormity becomes too overwhelming, and it becomes impossible to concentrate on anything outside of the inside. We beat hasty retreats to our homes and hide away until the next news broadcast. The news has replaced the novel in my world.
This is the time for explorative, dangerous fiction. Apocalyptic fiction. But I’m living in a fiction I can’t find a way to write. Nothing rivals the terror of nonfiction. I go online. I could order a gun, a knife. I don’t. I order a plant. A life …
Fire There Is – by Searlait O’Neill
My younger brother said that it looked as though all the feathers had been pulled from the skin of a bird, leaving nothing but demarcated veins. He went on to say, ‘That’s not exactly how it looked. I can’t say, really, how it looked.’ At the time we spoke about this, I was trying out images. I thought I’d stumble across something that could capture it. Asking him to recount the experience of seeing our brother, J, and the fire, I was looking to capture a feeling more than anything. The feeling of seeing your brother’s arms burn, of seeing his clothes dropping away like singed leaves …
Archive
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Arts Features
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Fiction
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- 11 Sep 2024 The mystery of the lost hours – by Sue Brennan
- 4 Sep 2024 Masters – by Andrei Seleznev
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- 18 Jul 2024 A major theft – by Emma Rosetta
- 17 Jul 2024 Devotion – by RT Wenzel
- 10 Jul 2024 He is the candle – by Lucy Norton
- 10 Jul 2024 These are no clear directions – by Lars Rogers
- 3 Jul 2024 Bound – by Liz Evans
- 26 Jun 2024 Prelude to a flight – by Joel Keith
- 30 May 2024 Dear life – by Susan Francis
- 27 May 2024 Refuse – by Hei Gou
- 15 May 2024 bodytruth – by Orlando Silver
- 15 May 2024 Lux – by Linden Hyatt
- 15 May 2024 Gristle and bone – by Jade Doyle
- 18 Apr 2024 Kevin – by Sarah Langfield
- 18 Apr 2024 Start where you are – by Jenny Sinclair
- 9 Apr 2024 Light hazard – by Sophie Overett
- 14 Mar 2024 Magic – by Maria Takolander and David McCooey
- 4 Mar 2024 The Budgie - by Jing Cramb
- 27 Nov 2023 The Interpreter – by Mariam Tokhi
- 13 Nov 2023 This Time Next Week – by Richard Rebel
- 13 Nov 2023 The Cheesewring – by Campbell Andersen
- 27 Oct 2023 Rat – by Anjelica Rush
- 14 Sep 2023 Nursery – by Nicola Redhouse
- 14 Sep 2023 Home of the Pure Heart, House of the Dying – by Rafael SW
- 21 Aug 2023 Sandcastles – by Ruth Armstrong
- 20 Aug 2023 The Mowing – by Ivy Ireland
- 16 Aug 2023 In the Archives – by Keely Jobe
- 11 Aug 2023 A Thin, Brilliant Line – by Lal Perera
- 6 Jul 2023 The River Path – by Tadhg Muller
- 6 Jun 2023 Strokes of White – by Julian Fell
- 23 May 2023 The Blue Fox – by Michael Burrows
- 23 May 2023 How to Kill a Pea – by Lara Keys
- 14 Apr 2023 Dottie and Pin Go Somewhere – by Kate Kruimink
- 29 Mar 2023 The Planet Terrarium - by Philomena van Rijswijk
- 2 Feb 2023 Sloane on the Mountain – by Alexander Bennetts
- 2 Feb 2023 Infrared – by Ryan Delaney
- 2 Feb 2023 The Day the Wave Came – by Paul Mitchell
- 17 Jan 2023 Collateral Damage – by John Tully
- 17 Jan 2023 Philomela – by Orana Loren
- 7 Dec 2022 The Museum – by Gemma Parker
- 7 Dec 2022 The Moths – by Gillian Britton
- 5 Dec 2022 Finger-branches – by Eliza Henry-Jones
- 10 Nov 2022 The Grass Painter – by KA Rees
- 23 Sep 2022 Nithing – by Clayton O’Toole
- 25 Aug 2022 Animal Life of Penang – by Claire Aman
- 25 Aug 2022 Butter – by Daniel Ray
- 15 Aug 2022 Not Gone, Just Different – by Rae White
- 15 Aug 2022 Rigel and Betelgeuse – by A E Macleod
- 1 Aug 2022 Get Joy from GetJoy – by Alex Cothren
- 20 Jun 2022 No Tomorrow – by Catherine Deery
- 20 Jun 2022 The Great Aviary of Love – by Kathryn Goldie
- 26 May 2022 Moss – by Jane Rawson
- 14 Apr 2022 Bombera – by Josefina Huq
- 17 Mar 2022 One Man’s Trash – by Piri Eddy
- 2 Mar 2022 Geometry of Lament – by Alicia Sometimes
- 10 Feb 2022 Interiors – by Zac Picker
- 21 Jan 2022 Phantom Menace Hours – by Victoria Manifold
- 21 Jan 2022 Sea Legs – by Sophie Overett
- 23 Nov 2021 Celebrity – by Chris McTrustry
- 5 Nov 2021 Fisher Girls – by Barry Lee Thompson
- 15 Oct 2021 Cake Flat - by Marion May Campbell
- 1 Oct 2021 An Encounter - by Katerina Gibson
- 16 Sep 2021 Captain Boner - by Alex Cothren
- 2 Sep 2021 Into the Clear Blue - by Susan McCreery
- 26 Aug 2021 Surrogate Mother - by Helena Pantsis
- 17 Aug 2021 An August for My July Mother - by Karina Ko
- 10 Aug 2021 The Good Woman - by Anneliz Erese
- 28 Jul 2021 A Man Alone - by Mark O’Flynn
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- 7 Jun 2021 King of Sweets - by Atul Joshi
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- 2 Jun 2021 Go Get Boy – by Alison Flett
- 1 Jun 2021 Tiefenzeit - by Tricky Walsh
- 1 Jun 2021 The Lever, the Pulley and the Screw - by Andrew Roff
- 1 Jun 2021 The Voices of the Magpies - by Laura McPhee-Browne
- 1 Jun 2021 The Tick Tock Killer - by Alex Cothren
- 1 Jun 2021 Birds - by Anne Casey-Hardy
- 1 Jun 2021 The Wolves - by Josephine Rowe
- 1 Jun 2021 Cod Opening - by Wayne Marshall
- 27 May 2021 Stingrays - by Christine Kearney
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- 23 May 2021 Okay is a Verb - by Erin Hortle
- 23 May 2021 Into the Flames, Down to Our Shoes, Vienna - by John Saul
- 23 May 2021 Just Maybe - by Dominic Amerena
- 23 May 2021 46 - by Ana Duffy
- 23 May 2021 Apple Suite - by Danielle Wood
- 23 May 2021 Foundations - by Michael Blake
- 22 May 2021 Blackbird - by Magdalena Lane
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Nonfiction
- 31 Oct 2024 The ballet school – by Helena Gjone
- 25 Sep 2024 Great flying soar and in command – by Lily Chan
- 19 Sep 2024 Dhanggal Bawagal: Mussel Sisters – by Michelle Vlatkovic
- 29 Aug 2024 The libraries we must enter, the songs we will sing – by Jamil Badi
- 22 Aug 2024 Girl/Monster – by Simmone Howell
- 14 Aug 2024 Words inside words – by Ouyang Yu
- 24 Jul 2024 Snakes in the valleys, in their hair – by Ben Walter
- 17 Jul 2024 Wave and blue – by Beth Kearney
- 26 Jun 2024 Conversation IV: Permission to witness – by Libby King
- 12 Jun 2024 Rain Rain – by Indigo Bailey
- 12 Jun 2024 Clothing the whiteness – by Isabella Wang
- 12 Jun 2024 The other hand – by Carly Stone
- 12 Jun 2024 Collection of collections – by Meredith Jelbart
- 12 Jun 2024 We Were Here – by Sarah Firth
- 30 May 2024 Thrift – by Catherine Zhou
- 27 May 2024 Bog bodies: Iron Age dreamland – by Lucinda Lagos
- 15 May 2024 Its bowl of red blooms out of sheer love of me – by Xiaole Zhan
- 18 Apr 2024 Laptop death – by David Thomas Henry Wright
- 18 Apr 2024 The goose of granite islands – by Suyanti Winoto-Lewin
- 2 Apr 2024 The perfect human – by Niki Bañados
- 1 Apr 2024 In Quarantine – by Megan Clement
- 31 Mar 2024 This Moon – by Megan Coupland
- 14 Mar 2024 Ghost streets – by Alexandra Sangster
- 4 Mar 2024 A thousand gifts – by Maki Morita
- 1 Feb 2024 Gifts from a harsh continent – by Tehnuka
- 11 Dec 2023 The Last Ever Comic to be Published in a Literary Magazine…Ever!!
- 27 Nov 2023 The Hairy Iceberg – by Kylie Moppert
- 27 Oct 2023 Scarface 1–5 – by Kylie Mirmohamadi
- 27 Oct 2023 The Conversation of Weaving – by RT Wenzel
- 14 Sep 2023 Sharehouse Archaeology – by Ale Prunotto
- 14 Sep 2023 In the River – by Searlait O’Neill
- 16 Aug 2023 Hawksbill – by Grace Heathcote
- 11 Aug 2023 Woonoongoora – by Caroline Gardam
- 22 Jun 2023 Objects of Illness/Recovery – by Anna Jacobson and Katerina Bryant
- 6 Jun 2023 The Dark House – by Emma Yearwood
- 23 May 2023 Lines of Location – by Johanna Ellersdorfer
- 23 May 2023 How to Build a Brother – by Helena Pantsis
- 28 Apr 2023 Selfish Ghosts – by Heather Taylor-Johnson
- 28 Apr 2023 Sudden, Temporary Deaths – by Chris Fleming
- 28 Apr 2023 Wingsets and Snowdrifts: A Subantarctic Year – by Emily Mowat
- 28 Apr 2023 The Long Daylight – by Jo Gardiner
- 28 Apr 2023 Chaste – by Suri Matondkar
- 14 Apr 2023 Landfall – by Megan Coupland
- 2 Feb 2023 Lines of Curiosity – by Margaret Aitken
- 17 Jan 2023 Learning to Be Tame – by Carla Silbert
- 17 Jan 2023 Rubbish – by Liz Betts
- 8 Dec 2022 Pamirs – by Nathan Mifsud
- 7 Dec 2022 Compare and Contrast – by Gillian Bouras
- 6 Dec 2022 Who Owns the Greek Myths? – by Katerina Cosgrove
- 22 Nov 2022 I Go Down to the Shore – by RT Wenzel
- 22 Nov 2022 The Shimmer of Flying Fox Landscape – by Matthew Chrulew
- 22 Nov 2022 Animal Rescue – by Bastian Fox Phelan
- 22 Nov 2022 In the Rain Shadow – by Jessica Carter
- 22 Nov 2022 The Magpie and the Scarecrow – by Helena Pantsis
- 22 Nov 2022 The Right One to Rescue – by Sharon Kent
- 23 Sep 2022 Far Out, Cats – by M.T. O’Byrne
- 1 Aug 2022 Straight From the Horse’s Mouth: Windsor Chairmaking in Tasmania – by Dan Dwyer
- 25 Jul 2022 Living Poets – by Jessica Lim
- 25 Jul 2022 An Open Space – by Luke Johnson
- 14 Jul 2022 A Shadow From Country – by Naomi Parry
- 14 Jul 2022 The Sound of Light – by Verity Borthwick
- 14 Jul 2022 If You Join the Circle, You Must Dance – by Katerina Cosgrove
- 14 Jul 2022 Hospitality – by Nicole Melanson
- 8 Jun 2022 The Ocean Sounds Like a Motorway – by Melissa Fagan
- 8 Jun 2022 The Backyard Project: Notes from Stolen Land – by Lia Hills
- 8 Jun 2022 Schrödinger’s Butterflies – by Dave Witty
- 8 Jun 2022 Feel the Quiet – by Zohra Aly
- 8 Jun 2022 And a Moth Flew Out – by Helena Kadmos
- 8 Jun 2022 A New Garden – by Erica Nathan
- 26 May 2022 The Third Angel of Chernobyl – by Carmel Bird
- 13 Apr 2022 A Year Without Mirrors – by Sarah Klenbort
- 17 Mar 2022 The Turkeys – by Saraid Taylor
- 2 Mar 2022 Spectral Coordinates – by Brigid Magner
- 10 Feb 2022 Falling Asleep Under the Love Umbrella – by Clare Millar
- 6 Dec 2021 A Waving Forest – by Zowie Douglas-Kinghorn
- 6 Dec 2021 Changing Spots – by Sharon Kent
- 6 Dec 2021 A Questionable Survey of Suburban Eucalypts – by Uthpala Gunethilake
- 6 Dec 2021 The Rats Move In – by Karen A Johnson
- 6 Dec 2021 Fire There Is – by Searlait O’Neill
- 6 Dec 2021 Riverine – by Kavita Bedford
- 24 Nov 2021 How to Be a Better Mother – by Lisa Kenway
- 8 Nov 2021 The Funeral [Farewell Kenny-G] – by W<J>P Newnham
- 28 Oct 2021 6 Years, 6 Months and 24 Days Apart – by Saanjana Kapoor
- 8 Oct 2021 Good For It - by Lillian Telford
- 21 Sep 2021 Peace Body Pain Body - by Jarad Bruinstroop
- 9 Sep 2021 The Orchid - by Erica Wheadon
- 26 Aug 2021 Various Emilys/Gondals - by Josie/Jocelyn Deane
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- 10 Aug 2021 Witchcraft, charming, &c. - by Eliza Henry-Jones
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- 2 Jun 2021 Fury - by Andrew Harper, on Lucienne Rickard’s ‘Extinction Studies’
- 2 Jun 2021 How Do You Make Them Let You Belong? - by Erin Hortle
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- 1 Jun 2021 Thirst - by Rick Morton
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Poetry
- 31 Oct 2024 Visitor Ghazal – by Megan Cartwright
- 14 Oct 2024 1. – by Bobby K
- 22 Aug 2024 The Ascension on a MacBook Air – by Sam Morley
- 14 Aug 2024 The Edit / An Edit – by Michael Farrell
- 7 Aug 2024 Dysesthesia – by Shey Marque
- 24 Jul 2024 Dinner Call – by Anders Villani
- 3 Jul 2024 ‘Helen’ by Euripides – by Andrew Sutherland
- 21 Jun 2024 white nonsense – by Alice Allan
- 19 Jun 2024 Telegram – by Natalie Susak
- 19 Jun 2024 new year’s day – by Mitch Cave
- 19 Jun 2024 Advice and Warnings – by Jill Jones
- 9 Apr 2024 If Movement Were a Language: Triptych – by Svetlana Sterlin
- 20 Mar 2024 Posture – by Jo Ward
- 20 Mar 2024 23 vignettes on the rental crisis – by Anna Jacobson
- 20 Mar 2024 Stanzas – by Jo Gardiner
- 20 Mar 2024 Parturition Chairs I-V – by Isabella G Mead
- 20 Mar 2024 Grandmother’s Limbs – by Svetlana Sterlin
- 20 Mar 2024 Friendly fire – by Tricia Dearborn
- 21 Feb 2024 Day 210 – by Brigid Coleridge
- 21 Feb 2024 Shedload – by Chris Andrews
- 21 Feb 2024 Improbable Acts of Proximity – by Shey Marque
- 24 Feb 2023 Sestina After B Carlisle – by Stuart Barnes
- 20 Feb 2023 Antarctica – by Andrew Sutherland
- 20 Feb 2023 The Girls Become – by John Foulcher
- 2 Mar 2022 Jobs for Women: Annunciate – by A Frances Johnson
- 2 Mar 2022 Heating and Cooling in the Time of Isolation – by Jessica L Wilkinson
- 2 Mar 2022 Self-portrait as Frida Kahlo – by Katherine Brabon
- 2 Mar 2022 Exoskeletons – by John Kinsella
- 2 Mar 2022 The Memory of Water - by Amy Crutchfield
- 7 Jun 2021 In My Father’s House - by Suneeta Peres da Costa
- 2 Jun 2021 Another Kind of Winter - by Anne Kellas
- 2 Jun 2021 Water on Rock, Wind in Trees - by Pete Hay
- 1 Jun 2021 Voyager I - by Sarah Day
- 1 Jun 2021 Thirty Pieces - by A Frances Johnson
- 1 Jun 2021 Maria-Mercè in the Palm Grove - by Eileen Chong
- 1 Jun 2021 gadhalumarra - by Yaaran Ellis
- 1 Jun 2021 Pink Sun - by Toby Fitch
- 1 Jun 2021 Beach Front - by Ellen van Neerven
- 31 May 2021 Walking a Forest Trail One Summer Afternoon - by Judith Beveridge
- 28 May 2021 Sunlight / Dear Mum - by Graham Akhurst
- 28 May 2021 Hippophobia - by Chloe Wilson
- 25 May 2021 Tend - by Jo Langdon
- 25 May 2021 Distorted Depiction - by Cassandra Atherton
- 23 May 2021 Ash in Sydney - by Jake Goetz
- 23 May 2021 On the Day You Launch - by Damen O’Brien
- 23 May 2021 What the Glass Holds - by Jill Jones
- 23 May 2021 Ekphrasis - by Belinda Rule
- 23 May 2021 I Protest - by Ouyang Yu
- 23 May 2021 Pulled Apart by Seahorses - by Gavin Yates
- 23 May 2021 Sonnet 29 - by Stuart Barnes
- 23 May 2021 Waiting Room - by Felicity Plunkett
- 23 May 2021 Analogue - by Stephen Edgar