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In Quarantine – by Megan Clement
WINNER , ISLAND NONFICTION PRIZE 2021
… The neon green BP sign across the road means the opposite of what it used to. It means I am stuck in this liminal space, with a guard at my door 24/7, squirrelled away to protect the health of Australians everywhere. This would be fine except for the fact that I’m here for 14 days and my father is dying and I don’t know if he has 14 days left …
This Moon – by Megan Coupland
It’s the tail end of 1873, November, and a clergyman is rugged up against a sluggish dusk. Along a Newfoundland coastline, Reverend Moses Harvey makes his way towards a fishing boat on the shore; he’s approaching the knot of fishermen who summoned him. The men, just in from the sea, are clustered around the carcass they’ve surfaced, a creature dredged inadvertently from the depths of Logy Bay, tangled in their herring nets. Harvey’s not there on church business. Instead, he’s made a name for himself locally as a collector of curiosities and the fishermen have offered him their haul: a giant squid, dead on arrival …
Ghost streets – by Alexandra Sangster
I have lived here long enough to know where the people who are not living anymore live.
Well not them exactly, but their ghosts.
All of the streets speak.
There is a build-up
of bones
(not the literal kind, not like in Paris with the catacombs or in Scotland with the pits of plague dead under your feet)
but bones none the less.
A thousand gifts – by Maki Morita
this story about food starts in a gym, but I’m talking free-to-air TV not protein bars — running on a treadmill to the white noise of Border Security could be the crème de la crème of suburban pastimes — did you know quarantine law makes good primetime drama? — we pant we glance we witness a family unravel souvenirs with which to adorn their kitchen — this is a tune to hum along to and I take another sip of water
Gifts from a harsh continent – by Tehnuka
I wake lying on my back, staring up at a bright Antarctic sky. Although I don’t understand how I got here, I’m not surprised at having been unconscious on the ice. A childhood spent reading tales of Shackleton and Scott has left me believing Antarctica is where scientists and explorers go to die, or at least lose their toes. Despite, or perhaps because of, this conviction, I leapt at the opportunity for fieldwork on a volcano on the edge of Antarctica, in what then seemed the wildest place on Earth. And over the next few weeks, whenever things go wrong – snowmobile accident, frostbitten nose, internet malfunction – we will say to one another, making light of it: ‘Well, what did you expect? It’s a harsh continent.’
The Last Ever Comic to be Published in a Literary Magazine…Ever!!
This graphic narrative was published in Island 169 to mark the conclusion of The Nanna, Island’s graphic narrative project. Curated by Joshua Santospirito, the project published comics from Australian creators in issues 166 through 169.
The Hairy Iceberg – by Kylie Moppert
Until a year ago, I lived in an apartment above a shop front in a leafy inner suburb. After decades of living in the outer suburbs, I’d flipped a coin and leased an abandoned restaurant with rooms upstairs. There were restaurants on either side, elm trees in the street’s central garden strip, and Victorian terraces boasting ironwork fences. I renovated downstairs into an artisan bakery and immersed myself in unrelenting hours of slow-ferment, wild-yeast sourdough …
Scarface 1–5 – by Kylie Mirmohamadi
A woman has a scar that will fade, with time.
1. She takes a selfie in the bathroom mirror. The scar down the right side of her face looks fainter, less raised, than in real life.
2. She sends it to some people. They say she looks good, beautiful, strong. They tell her they love her.
3. Her husband says that with a scar she is sexier.
4. His friend’s girlfriend, in Mexico, says there is a dried rattlesnake remedy for healing skin.
5. On a walk she listens to ‘Perfect Skin’, and David Bowie sings to her that everything will be all right, tonight …
The Conversation of Weaving – by RT Wenzel
I am not a self-taught weaver, but taught by the baskets themselves. A gifted basket using eel-trap techniques. Two thrifted, age-brittle flax baskets, spliced and braided. The extraordinary collection of moody, low-lit weavings at Okains Bay museum, chance encountered. My eyes and hands recognise the diagonals and crosses, the ribs and the spokes, the warp and weft of organic material, even before I learn a new technique. Someone in my ancestral line knew these shapes, these patterns; my fingers echo the hands of unseen teachers. But my teachers are primarily the plants themselves. Each plant has stories and preferences, and the conversation changes between seasons, storms, lunar phases …
Sharehouse Archaeology – by Ale Prunotto
At the house inspection, I squeezed past two people in the hall pushing fearfully on plasterboard that acted more like marshmallow than a wall. One whispered to the other: ‘this place is not fit for human habitation …’ True, it is maybe not ideal, what with the gaping hole in the hallway ceiling, and the mould spidering across the bathroom walls, and the broken ratty blinds, and the eternally leaking trapdoor in the kitchen, and that time the toilet got blocked and Linds got covered in filth trying to plunge it, and that time the carpet in the hallway became squelchy and we realised that water was trickling from the roof to the porch and through the 10 centimetre gap under the front door, and we called George, the owner, who in his cowboy style not only injected silicone into the crack in the roof but also drilled a hole in the floorboards so that any persevering water would filter directly into the billion-year-old foundations …
In the River – by Searlait O’Neill
St Mary drowned in the floods.
It can be strange seeing objects drown. The eye isn’t looking for movements, because there never were any to begin with. What is the eye looking for?
It was a white marble, her rock body. And it seemed to represent something.
The salt pillar?
Muteness?
All our lost souls watching on?
The cathedral was flooded, but they hosed it out.
Hawksbill – by Grace Heathcote
The turtle registers our presence with a flick of an eye, but does not pause. We are crouched so close we can see the salt-crust around her eyes, the dark-and-light patchwork of her face, the soft wrinkles on her neck. She watches us as we watch her. Where do we fit, I imagine her thinking: friend or foe?
Her strong back flippers scoop the sand to create a deep pit. Surprisingly dextrous, they stretch into the cavity and cup the sand carefully to lift it out …
Woonoongoora – by Caroline Gardam
The sun snuffs early and arrives late. Dawn is tardy, slow and defiant: a gentle light finally emerging, lightening – any birdsong chorus drowned by the rush of creek over rocks below, to the north. It’s a full three hours from first light to when winter rays deign to glitter the creek. Facing this little hut is a wall of green – an entire forest shuddering down from what we call a bluff because we think the name Fort is dumb for a proud outcrop. It’s part of the ridge along the scenic rim, of which I know nothing, but you gotta start somewhere …
Objects of Illness/Recovery – by Anna Jacobson and Katerina Bryant
As rainwater seeped through the laminate flooring, I piled my objects onto my bed: an antique out-of-tune zither, my books, a woven rainbow rug that had made my room my home. I lost none of these objects, but I did lose my shelving, which drank up water through its base. I also lost my room at the rental that had housed all my things – the doorway warped with water damage and was no longer safe to inhabit. I stayed with a friend for two-and-a-half weeks while I tried to find a new place to live. My objects were splayed across three different suburbs, and I felt fractured: one part at the old share house – safe if the disintegrating ship of the bed could hold – another part in a suitcase at a friend’s house, and a third split lifeline to my parents’ home. I wore my hamsa ring – silver hand with larimar stone at its centre – to ward off the evil eye. I needed spiritual protection, wanted to feel safe …
The Dark House – by Emma Yearwood
I have taken to leaving the ceiling fan on all night due to an unnerving premonition that the air will set like jelly and I will no longer be able to breathe. The solution – I must stir it, stir it, keep the air in constant motion.
This house is older and darker, more closed in, than I’m used to – like chocolate, like soil humus, like dog fart. I am used to light and airy spaces, where the wind rattles about and you may as well be outside; I am used to a feeling of un-containment …
Lines of Location – by Johanna Ellersdorfer
… With each step I take, webs come in and out of focus. Light-jewelled threads like small nets in the night sky. Looking upwards towards an opening in a leafy hedge, I see a spider begin to build its web. It starts as a single line, like unspooled thread, taut and bright in the light of the street lamp. The spider glides back and forth between other lines I can barely see, and then starts to join them into an intricate mesh.
Compared to the spider, my hands are clumsy. I have tried to stitch the night sky in a series of loops and knots, copying patterns designed by a Scottish woman who, the century before last, moved around this country with her engineer husband …
How to Build a Brother – by Helena Pantsis
My brother is a creature slowly falling apart … He first breaks a bone in Year 8 when a football hits his hand and fractures his thumb in a thin, painful line down the bone. Our school doesn’t have a nurse, just a bursar with a first aid kit, so he is sent back to class to write with his broken thumb, to return to PE in his bright-purple sports uniform. He falls apart in these ways so subtly it’s hard to remember we are all fading, slowly …
Selfish Ghosts – by Heather Taylor-Johnson
WINNER, ISLAND NONFICTION PRIZE 2022
It’s 1978–79 and in an abandoned warehouse in New York City, at a diner slightly out-of-focus, on a crowded subway pistoling through Brooklyn, seen pissing in a toilet in a dilapidated cubicle is Arthur Rimbaud. Rimbaud’s in Coney Island and at the Hudson River sex piers. He’s shooting up heroin. He is masturbating. He is pointing at Jesus graffitied on a wall. He is holding a gun to his head …
Sudden, Temporary Deaths – by Chris Fleming
SHORTLISTED, ISLAND NONFICTION PRIZE 2022
I had a dream last night that I could extend my arms and legs in any direction I wanted. At first, bending my forearm back past 180 degrees, I was sure it would dislocate; and it did – but only a little, like the nitrogen pop of cracking bones. I kept going and soon possessed complete flexion and extension. I discovered the more I bent my joints like this, the fewer dislocation pains there were, the quieter the pops. I moved on to incredible, disturbing yogic feats. And then, as I often do whenever I accomplish something impossible in a dream (unaided human flight, producing fresh juice inside my mouth to drink, passing my head through solid objects), the thought occurred to me:
anyone
can do this …
Wingsets and Snowdrifts: A Subantarctic Year – by Emily Mowat
SHORTLISTED, ISLAND NONFICTION PRIZE 2022
It’s late December, and the subantarctic summer stretches out the daylight hours. On the slopes of the escarpment where the light-mantled albatross nest, egg hatching is imminent.
I approach one, sitting plump and pleased upon her scraped-together nest of mud and tussock. She’s as sleek as a Siamese cat, with slate-brown head fading seamlessly into a mantle of pale grey. Her crescent-moon eyes tell of pack ice and polar fronts.
I notice her stretching to gather scraps of grass within reach of her nest, and tucking them carefully under her body in preparation for her soon-to-hatch chick. Perhaps I shouldn’t, but I can’t help but proffer a dried grass stem myself, and, to my surprise, her powerful, hooked black bill delicately grasps it from my hand …
Archive
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Arts Features
- 12 Jun 2024 We Were Here – by Sarah Firth
- 2 Apr 2024 The perfect human – by Niki Bañados
- 11 Dec 2023 The Last Ever Comic to be Published in a Literary Magazine…Ever!!
- 2 Jun 2021 Fury - by Andrew Harper, on Lucienne Rickard’s ‘Extinction Studies’
- 2 Jun 2021 Julie Gough: Tense Past
- 1 Jun 2021 Tiefenzeit - by Tricky Walsh
- 1 Jun 2021 Islands and Ships - by Joshua Santospirito
- 1 Jun 2021 The Intimacy of Daily Life: The News is the Weather - by Rosie Flanagan and Miriam McGarry
- 1 Jun 2021 Fragments of Place - by Andrew Harper
- 1 Jun 2021 Beware of Imposters (the secret life of flowers) - by Selena de Carvalho
- 31 May 2021 Welcome Territory - Selena de Carvalho responds to Tanya Lee’s ‘Landing’
- 27 May 2021 Sisters Akousmatica: Herstory of Radio
- 25 May 2021 Double Yolker - by Mish Meijers
- 23 May 2021 Stepping Back from The Edge: Re-imagining Queenstown - by Cameron Hindrum
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Fiction
- 8 Oct 2024 Chrysalis – by Lachlan Plain
- 11 Sep 2024 The mystery of the lost hours – by Sue Brennan
- 4 Sep 2024 Masters – by Andrei Seleznev
- 7 Aug 2024 Paan – by Josefina Huq
- 18 Jul 2024 A major theft – by Emma Rosetta
- 17 Jul 2024 Devotion – by RT Wenzel
- 10 Jul 2024 He is the candle – by Lucy Norton
- 10 Jul 2024 These are no clear directions – by Lars Rogers
- 3 Jul 2024 Bound – by Liz Evans
- 26 Jun 2024 Prelude to a flight – by Joel Keith
- 30 May 2024 Dear life – by Susan Francis
- 27 May 2024 Refuse – by Hei Gou
- 15 May 2024 bodytruth – by Orlando Silver
- 15 May 2024 Lux – by Linden Hyatt
- 15 May 2024 Gristle and bone – by Jade Doyle
- 18 Apr 2024 Kevin – by Sarah Langfield
- 18 Apr 2024 Start where you are – by Jenny Sinclair
- 9 Apr 2024 Light hazard – by Sophie Overett
- 14 Mar 2024 Magic – by Maria Takolander and David McCooey
- 4 Mar 2024 The Budgie - by Jing Cramb
- 27 Nov 2023 The Interpreter – by Mariam Tokhi
- 13 Nov 2023 This Time Next Week – by Richard Rebel
- 13 Nov 2023 The Cheesewring – by Campbell Andersen
- 27 Oct 2023 Rat – by Anjelica Rush
- 14 Sep 2023 Nursery – by Nicola Redhouse
- 14 Sep 2023 Home of the Pure Heart, House of the Dying – by Rafael SW
- 21 Aug 2023 Sandcastles – by Ruth Armstrong
- 20 Aug 2023 The Mowing – by Ivy Ireland
- 16 Aug 2023 In the Archives – by Keely Jobe
- 11 Aug 2023 A Thin, Brilliant Line – by Lal Perera
- 6 Jul 2023 The River Path – by Tadhg Muller
- 6 Jun 2023 Strokes of White – by Julian Fell
- 23 May 2023 The Blue Fox – by Michael Burrows
- 23 May 2023 How to Kill a Pea – by Lara Keys
- 14 Apr 2023 Dottie and Pin Go Somewhere – by Kate Kruimink
- 29 Mar 2023 The Planet Terrarium - by Philomena van Rijswijk
- 2 Feb 2023 Sloane on the Mountain – by Alexander Bennetts
- 2 Feb 2023 Infrared – by Ryan Delaney
- 2 Feb 2023 The Day the Wave Came – by Paul Mitchell
- 17 Jan 2023 Collateral Damage – by John Tully
- 17 Jan 2023 Philomela – by Orana Loren
- 7 Dec 2022 The Museum – by Gemma Parker
- 7 Dec 2022 The Moths – by Gillian Britton
- 5 Dec 2022 Finger-branches – by Eliza Henry-Jones
- 10 Nov 2022 The Grass Painter – by KA Rees
- 23 Sep 2022 Nithing – by Clayton O’Toole
- 25 Aug 2022 Animal Life of Penang – by Claire Aman
- 25 Aug 2022 Butter – by Daniel Ray
- 15 Aug 2022 Not Gone, Just Different – by Rae White
- 15 Aug 2022 Rigel and Betelgeuse – by A E Macleod
- 1 Aug 2022 Get Joy from GetJoy – by Alex Cothren
- 20 Jun 2022 No Tomorrow – by Catherine Deery
- 20 Jun 2022 The Great Aviary of Love – by Kathryn Goldie
- 26 May 2022 Moss – by Jane Rawson
- 14 Apr 2022 Bombera – by Josefina Huq
- 17 Mar 2022 One Man’s Trash – by Piri Eddy
- 2 Mar 2022 Geometry of Lament – by Alicia Sometimes
- 10 Feb 2022 Interiors – by Zac Picker
- 21 Jan 2022 Phantom Menace Hours – by Victoria Manifold
- 21 Jan 2022 Sea Legs – by Sophie Overett
- 23 Nov 2021 Celebrity – by Chris McTrustry
- 5 Nov 2021 Fisher Girls – by Barry Lee Thompson
- 15 Oct 2021 Cake Flat - by Marion May Campbell
- 1 Oct 2021 An Encounter - by Katerina Gibson
- 16 Sep 2021 Captain Boner - by Alex Cothren
- 2 Sep 2021 Into the Clear Blue - by Susan McCreery
- 26 Aug 2021 Surrogate Mother - by Helena Pantsis
- 17 Aug 2021 An August for My July Mother - by Karina Ko
- 10 Aug 2021 The Good Woman - by Anneliz Erese
- 28 Jul 2021 A Man Alone - by Mark O’Flynn
- 13 Jul 2021 Boxing Day - by Fiona Robertson
- 2 Jul 2021 Severe Weather Warning - by Miriam Webster
- 24 Jun 2021 Three Fragments - by Cameron Hindrum
- 7 Jun 2021 King of Sweets - by Atul Joshi
- 6 Jun 2021 Agency - by Tasnim Hossain
- 2 Jun 2021 Go Get Boy – by Alison Flett
- 1 Jun 2021 Tiefenzeit - by Tricky Walsh
- 1 Jun 2021 The Lever, the Pulley and the Screw - by Andrew Roff
- 1 Jun 2021 The Voices of the Magpies - by Laura McPhee-Browne
- 1 Jun 2021 The Tick Tock Killer - by Alex Cothren
- 1 Jun 2021 Birds - by Anne Casey-Hardy
- 1 Jun 2021 The Wolves - by Josephine Rowe
- 1 Jun 2021 Cod Opening - by Wayne Marshall
- 27 May 2021 Stingrays - by Christine Kearney
- 25 May 2021 Eve - by Laura Elvery
- 23 May 2021 The Teeth and the Curl: A Note to a Cousin - by Robbie Arnott
- 23 May 2021 Extension - by Anthony Lynch
- 23 May 2021 Okay is a Verb - by Erin Hortle
- 23 May 2021 Into the Flames, Down to Our Shoes, Vienna - by John Saul
- 23 May 2021 Just Maybe - by Dominic Amerena
- 23 May 2021 46 - by Ana Duffy
- 23 May 2021 Apple Suite - by Danielle Wood
- 23 May 2021 Foundations - by Michael Blake
- 22 May 2021 Blackbird - by Magdalena Lane
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Nonfiction
- 31 Oct 2024 The ballet school – by Helena Gjone
- 25 Sep 2024 Great flying soar and in command – by Lily Chan
- 19 Sep 2024 Dhanggal Bawagal: Mussel Sisters – by Michelle Vlatkovic
- 29 Aug 2024 The libraries we must enter, the songs we will sing – by Jamil Badi
- 22 Aug 2024 Girl/Monster – by Simmone Howell
- 14 Aug 2024 Words inside words – by Ouyang Yu
- 24 Jul 2024 Snakes in the valleys, in their hair – by Ben Walter
- 17 Jul 2024 Wave and blue – by Beth Kearney
- 26 Jun 2024 Conversation IV: Permission to witness – by Libby King
- 12 Jun 2024 Rain Rain – by Indigo Bailey
- 12 Jun 2024 Clothing the whiteness – by Isabella Wang
- 12 Jun 2024 The other hand – by Carly Stone
- 12 Jun 2024 Collection of collections – by Meredith Jelbart
- 12 Jun 2024 We Were Here – by Sarah Firth
- 30 May 2024 Thrift – by Catherine Zhou
- 27 May 2024 Bog bodies: Iron Age dreamland – by Lucinda Lagos
- 15 May 2024 Its bowl of red blooms out of sheer love of me – by Xiaole Zhan
- 18 Apr 2024 Laptop death – by David Thomas Henry Wright
- 18 Apr 2024 The goose of granite islands – by Suyanti Winoto-Lewin
- 2 Apr 2024 The perfect human – by Niki Bañados
- 1 Apr 2024 In Quarantine – by Megan Clement
- 31 Mar 2024 This Moon – by Megan Coupland
- 14 Mar 2024 Ghost streets – by Alexandra Sangster
- 4 Mar 2024 A thousand gifts – by Maki Morita
- 1 Feb 2024 Gifts from a harsh continent – by Tehnuka
- 11 Dec 2023 The Last Ever Comic to be Published in a Literary Magazine…Ever!!
- 27 Nov 2023 The Hairy Iceberg – by Kylie Moppert
- 27 Oct 2023 Scarface 1–5 – by Kylie Mirmohamadi
- 27 Oct 2023 The Conversation of Weaving – by RT Wenzel
- 14 Sep 2023 Sharehouse Archaeology – by Ale Prunotto
- 14 Sep 2023 In the River – by Searlait O’Neill
- 16 Aug 2023 Hawksbill – by Grace Heathcote
- 11 Aug 2023 Woonoongoora – by Caroline Gardam
- 22 Jun 2023 Objects of Illness/Recovery – by Anna Jacobson and Katerina Bryant
- 6 Jun 2023 The Dark House – by Emma Yearwood
- 23 May 2023 Lines of Location – by Johanna Ellersdorfer
- 23 May 2023 How to Build a Brother – by Helena Pantsis
- 28 Apr 2023 Selfish Ghosts – by Heather Taylor-Johnson
- 28 Apr 2023 Sudden, Temporary Deaths – by Chris Fleming
- 28 Apr 2023 Wingsets and Snowdrifts: A Subantarctic Year – by Emily Mowat
- 28 Apr 2023 The Long Daylight – by Jo Gardiner
- 28 Apr 2023 Chaste – by Suri Matondkar
- 14 Apr 2023 Landfall – by Megan Coupland
- 2 Feb 2023 Lines of Curiosity – by Margaret Aitken
- 17 Jan 2023 Learning to Be Tame – by Carla Silbert
- 17 Jan 2023 Rubbish – by Liz Betts
- 8 Dec 2022 Pamirs – by Nathan Mifsud
- 7 Dec 2022 Compare and Contrast – by Gillian Bouras
- 6 Dec 2022 Who Owns the Greek Myths? – by Katerina Cosgrove
- 22 Nov 2022 I Go Down to the Shore – by RT Wenzel
- 22 Nov 2022 The Shimmer of Flying Fox Landscape – by Matthew Chrulew
- 22 Nov 2022 Animal Rescue – by Bastian Fox Phelan
- 22 Nov 2022 In the Rain Shadow – by Jessica Carter
- 22 Nov 2022 The Magpie and the Scarecrow – by Helena Pantsis
- 22 Nov 2022 The Right One to Rescue – by Sharon Kent
- 23 Sep 2022 Far Out, Cats – by M.T. O’Byrne
- 1 Aug 2022 Straight From the Horse’s Mouth: Windsor Chairmaking in Tasmania – by Dan Dwyer
- 25 Jul 2022 Living Poets – by Jessica Lim
- 25 Jul 2022 An Open Space – by Luke Johnson
- 14 Jul 2022 A Shadow From Country – by Naomi Parry
- 14 Jul 2022 The Sound of Light – by Verity Borthwick
- 14 Jul 2022 If You Join the Circle, You Must Dance – by Katerina Cosgrove
- 14 Jul 2022 Hospitality – by Nicole Melanson
- 8 Jun 2022 The Ocean Sounds Like a Motorway – by Melissa Fagan
- 8 Jun 2022 The Backyard Project: Notes from Stolen Land – by Lia Hills
- 8 Jun 2022 Schrödinger’s Butterflies – by Dave Witty
- 8 Jun 2022 Feel the Quiet – by Zohra Aly
- 8 Jun 2022 And a Moth Flew Out – by Helena Kadmos
- 8 Jun 2022 A New Garden – by Erica Nathan
- 26 May 2022 The Third Angel of Chernobyl – by Carmel Bird
- 13 Apr 2022 A Year Without Mirrors – by Sarah Klenbort
- 17 Mar 2022 The Turkeys – by Saraid Taylor
- 2 Mar 2022 Spectral Coordinates – by Brigid Magner
- 10 Feb 2022 Falling Asleep Under the Love Umbrella – by Clare Millar
- 6 Dec 2021 A Waving Forest – by Zowie Douglas-Kinghorn
- 6 Dec 2021 Changing Spots – by Sharon Kent
- 6 Dec 2021 A Questionable Survey of Suburban Eucalypts – by Uthpala Gunethilake
- 6 Dec 2021 The Rats Move In – by Karen A Johnson
- 6 Dec 2021 Fire There Is – by Searlait O’Neill
- 6 Dec 2021 Riverine – by Kavita Bedford
- 24 Nov 2021 How to Be a Better Mother – by Lisa Kenway
- 8 Nov 2021 The Funeral [Farewell Kenny-G] – by W<J>P Newnham
- 28 Oct 2021 6 Years, 6 Months and 24 Days Apart – by Saanjana Kapoor
- 8 Oct 2021 Good For It - by Lillian Telford
- 21 Sep 2021 Peace Body Pain Body - by Jarad Bruinstroop
- 9 Sep 2021 The Orchid - by Erica Wheadon
- 26 Aug 2021 Various Emilys/Gondals - by Josie/Jocelyn Deane
- 17 Aug 2021 Fluctuations in Landscape/Language/Lasagne - by Christine Howe
- 10 Aug 2021 Witchcraft, charming, &c. - by Eliza Henry-Jones
- 29 Jul 2021 Submerged - by Nova Weetman
- 13 Jul 2021 Pilgrimage to Frog Hollow - by Clare Murphy
- 2 Jul 2021 You Can’t Go Home Again - by Jenny Sinclair
- 24 Jun 2021 31.5°S, 159°E - by Keely Jobe
- 7 Jun 2021 Athai - by Lakshmi Narayanan
- 6 Jun 2021 Reality Check - by Jocelyn Prasad
- 4 Jun 2021 Principles of Permaculture - by Sam George-Allen
- 2 Jun 2021 Fury - by Andrew Harper, on Lucienne Rickard’s ‘Extinction Studies’
- 2 Jun 2021 How Do You Make Them Let You Belong? - by Erin Hortle
- 2 Jun 2021 Housing Climate: From Plastic to Concrete - by Miriam McGarry
- 1 Jun 2021 Thirst - by Rick Morton
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Poetry
- 31 Oct 2024 Visitor Ghazal – by Megan Cartwright
- 14 Oct 2024 1. – by Bobby K
- 22 Aug 2024 The Ascension on a MacBook Air – by Sam Morley
- 14 Aug 2024 The Edit / An Edit – by Michael Farrell
- 7 Aug 2024 Dysesthesia – by Shey Marque
- 24 Jul 2024 Dinner Call – by Anders Villani
- 3 Jul 2024 ‘Helen’ by Euripides – by Andrew Sutherland
- 21 Jun 2024 white nonsense – by Alice Allan
- 19 Jun 2024 Telegram – by Natalie Susak
- 19 Jun 2024 new year’s day – by Mitch Cave
- 19 Jun 2024 Advice and Warnings – by Jill Jones
- 9 Apr 2024 If Movement Were a Language: Triptych – by Svetlana Sterlin
- 20 Mar 2024 Posture – by Jo Ward
- 20 Mar 2024 23 vignettes on the rental crisis – by Anna Jacobson
- 20 Mar 2024 Stanzas – by Jo Gardiner
- 20 Mar 2024 Parturition Chairs I-V – by Isabella G Mead
- 20 Mar 2024 Grandmother’s Limbs – by Svetlana Sterlin
- 20 Mar 2024 Friendly fire – by Tricia Dearborn
- 21 Feb 2024 Day 210 – by Brigid Coleridge
- 21 Feb 2024 Shedload – by Chris Andrews
- 21 Feb 2024 Improbable Acts of Proximity – by Shey Marque
- 24 Feb 2023 Sestina After B Carlisle – by Stuart Barnes
- 20 Feb 2023 Antarctica – by Andrew Sutherland
- 20 Feb 2023 The Girls Become – by John Foulcher
- 2 Mar 2022 Jobs for Women: Annunciate – by A Frances Johnson
- 2 Mar 2022 Heating and Cooling in the Time of Isolation – by Jessica L Wilkinson
- 2 Mar 2022 Self-portrait as Frida Kahlo – by Katherine Brabon
- 2 Mar 2022 Exoskeletons – by John Kinsella
- 2 Mar 2022 The Memory of Water - by Amy Crutchfield
- 7 Jun 2021 In My Father’s House - by Suneeta Peres da Costa
- 2 Jun 2021 Another Kind of Winter - by Anne Kellas
- 2 Jun 2021 Water on Rock, Wind in Trees - by Pete Hay
- 1 Jun 2021 Voyager I - by Sarah Day
- 1 Jun 2021 Thirty Pieces - by A Frances Johnson
- 1 Jun 2021 Maria-Mercè in the Palm Grove - by Eileen Chong
- 1 Jun 2021 gadhalumarra - by Yaaran Ellis
- 1 Jun 2021 Pink Sun - by Toby Fitch
- 1 Jun 2021 Beach Front - by Ellen van Neerven
- 31 May 2021 Walking a Forest Trail One Summer Afternoon - by Judith Beveridge
- 28 May 2021 Sunlight / Dear Mum - by Graham Akhurst
- 28 May 2021 Hippophobia - by Chloe Wilson
- 25 May 2021 Tend - by Jo Langdon
- 25 May 2021 Distorted Depiction - by Cassandra Atherton
- 23 May 2021 Ash in Sydney - by Jake Goetz
- 23 May 2021 On the Day You Launch - by Damen O’Brien
- 23 May 2021 What the Glass Holds - by Jill Jones
- 23 May 2021 Ekphrasis - by Belinda Rule
- 23 May 2021 I Protest - by Ouyang Yu
- 23 May 2021 Pulled Apart by Seahorses - by Gavin Yates
- 23 May 2021 Sonnet 29 - by Stuart Barnes
- 23 May 2021 Waiting Room - by Felicity Plunkett
- 23 May 2021 Analogue - by Stephen Edgar